Wydawnictwo: Delphian
Nr katalogowy: DCD 34243
Nośnik: 1 CD
Data wydania: wrzesień 2020
EAN: 801918342431
Nr katalogowy: DCD 34243
Nośnik: 1 CD
Data wydania: wrzesień 2020
EAN: 801918342431
Ohrwurm
Delphian - DCD 34243
Kompozytor
Antonio Bertali, Tarquinio Merula, Claudio Monteverdi, George Frideric Handel, Pietro Castrucci, Alessandro Marcello, Marin Marais, Freya Waley-Cohen, Antonio Soler, Arcangelo Corelli, Andrea Falconieri, Pierre-Francisque Carroubel, Henry Purcell, John Dowland, Gareth Moorcraft
Antonio Bertali, Tarquinio Merula, Claudio Monteverdi, George Frideric Handel, Pietro Castrucci, Alessandro Marcello, Marin Marais, Freya Waley-Cohen, Antonio Soler, Arcangelo Corelli, Andrea Falconieri, Pierre-Francisque Carroubel, Henry Purcell, John Dowland, Gareth Moorcraft
Antonio Bertali/Tarquinio Merula/Claudio Monteverdi:
Ciaconna
George Frideric Handel:
Rinaldo, HWV 7b - Lascia ch’io pianga
Siroe, re di Persia, HWV 24 - Jig
Pietro Castrucci:
Sonata in D minor, Op. 1 No. 10
Alessandro Marcello:
Concerto in D minor - Adagio
Marin Marais:
Pieces de viole, livre 2 - Selection from 'Les folies d’Espagne'
Freya Waley-Cohen:
Caffeine
Antonio Soler:
Fandango in D minor, R 146
Arcangelo Corelli:
The Favourite Gigg in Corelli’s 5th Solo with Divisions by Sig. Valentini
Andrea Falconieri:
Il primo libro di canzone… - La suave melodia, y su Corrente
Pierre-Francisque Carroubel:
Terpsichore, Musarum Aoniarum (Michael Praetorius, 1612) - Spagnoletta
Henry Purcell:
King Arthur, Z 628 - Fairest Isle
John Dowland:
The Earle of Essex Galiard (Can she excuse my wrongs)
Gareth Moorcraft:
Tabea Debus - Diaries of the Early Worm
A Musicall Banquet (Robert Dowland, 1610) - Vuestros ojos tienen d’amor
La Monica (Une jeune fillette)
When Daphne did from Phoebus fly
An Introduction to Good Taste in Musick (Francesco Geminiani, 1749) - Auld Bob Morrice
Lamento di Tristano – La Rotta
Ciaconna
George Frideric Handel:
Rinaldo, HWV 7b - Lascia ch’io pianga
Siroe, re di Persia, HWV 24 - Jig
Pietro Castrucci:
Sonata in D minor, Op. 1 No. 10
Alessandro Marcello:
Concerto in D minor - Adagio
Marin Marais:
Pieces de viole, livre 2 - Selection from 'Les folies d’Espagne'
Freya Waley-Cohen:
Caffeine
Antonio Soler:
Fandango in D minor, R 146
Arcangelo Corelli:
The Favourite Gigg in Corelli’s 5th Solo with Divisions by Sig. Valentini
Andrea Falconieri:
Il primo libro di canzone… - La suave melodia, y su Corrente
Pierre-Francisque Carroubel:
Terpsichore, Musarum Aoniarum (Michael Praetorius, 1612) - Spagnoletta
Henry Purcell:
King Arthur, Z 628 - Fairest Isle
John Dowland:
The Earle of Essex Galiard (Can she excuse my wrongs)
Gareth Moorcraft:
Tabea Debus - Diaries of the Early Worm
A Musicall Banquet (Robert Dowland, 1610) - Vuestros ojos tienen d’amor
La Monica (Une jeune fillette)
When Daphne did from Phoebus fly
An Introduction to Good Taste in Musick (Francesco Geminiani, 1749) - Auld Bob Morrice
Lamento di Tristano – La Rotta
Melodies that emerge from musical folk memory or jump o the printed page to lodge themselves in the listener’s mind: such ‘earworms’ are the raison d’etre of this inventive album, eervescent and haunting by turn.
Rising talent Tabea Debus makes an immediate impression as she joins the roster of Delphian house artists, coaxing an astonishing spectrum of moods and timbres from an array of Renaissance and Baroque recorders. Equally astounding is the tightness and responsiveness of her interaction with gamba player Jonathan Rees and lutenist Alex McCartney, while solos for recorder alone bookend the programme chronologically with music from the fourteenth century and the twenty-rst.
Recorded on 12-13 February 2020 at Broughton St Mary’s Parish Church, Edinburgh. Instruments: Ganassi soprano recorder in C by Monika Musch, Baroque soprano recorder in C by Ernst Meyer, Ganassi alto recorder in G by Monika Musch & others
Rising talent Tabea Debus makes an immediate impression as she joins the roster of Delphian house artists, coaxing an astonishing spectrum of moods and timbres from an array of Renaissance and Baroque recorders. Equally astounding is the tightness and responsiveness of her interaction with gamba player Jonathan Rees and lutenist Alex McCartney, while solos for recorder alone bookend the programme chronologically with music from the fourteenth century and the twenty-rst.
Recorded on 12-13 February 2020 at Broughton St Mary’s Parish Church, Edinburgh. Instruments: Ganassi soprano recorder in C by Monika Musch, Baroque soprano recorder in C by Ernst Meyer, Ganassi alto recorder in G by Monika Musch & others