Piccinini / Falconieri / Strozzi: The Three Ladies of Ferrara
Avie - AV 2544
Kompozytor
Alessandro Piccinini (1566-c1638)
Andrea Falconieri (1586-1656)
Barbara Strozzi (1619-c1664)
Benedetto Ferrari, Biagio Marini, Claudio Monteverdi, Diego Ortiz, Juan Aranés, Luzzasco Luzzaschi, Samuel Friedrich Capricornus, Stefano Landi, Virgilio Mazzocchi
Alessandro Piccinini (1566-c1638)
Andrea Falconieri (1586-1656)
Barbara Strozzi (1619-c1664)
Benedetto Ferrari, Biagio Marini, Claudio Monteverdi, Diego Ortiz, Juan Aranés, Luzzasco Luzzaschi, Samuel Friedrich Capricornus, Stefano Landi, Virgilio Mazzocchi
Wykonawcy
Amanda Forsythe, soprano
Amanda Powell, soprano
Amanda Crider, mezzo-soprano
Apollo’s Fire / Jeannette Sorrell, harpsichord & direction
Amanda Forsythe, soprano
Amanda Powell, soprano
Amanda Crider, mezzo-soprano
Apollo’s Fire / Jeannette Sorrell, harpsichord & direction
I. Dance of Life:
TRADITIONAL CATALAN, arr. J. Sorrell:
El Cant dels Ocells
Attributed to STEFANO LANDI (1587–1639), arr. J. Sorrell:
Passacaglia della Vita
II. In the Palace of Ferrara:
ANDREA FALCONIERI (1586–1656), arr. R. Schiffer:
Ciaccona in G Major, Primo Libro di Canzone & Sinfonie, 1650
LUZZASCHO LUZZASCHI (c.1545–1607):
Toccata del Quarto Tono
Dolcezze amarissime (Trio for the Concerto delle Donne)
III. Love is too Much:
ALESSANDRO PICCININI (1566–1638):
Toccata in G Minor
BIAGIO MARINI (1594–1663):
Passacalio a 4 in G Minor, Op. 22 No. 25
Sonata sopra Fuggi dolente core, Op. 22 No. 21
SAMUEL FRIEDRICH CAPRICORNUS (1628–1665), arr. J. Sorrell:
O Felix Jucunditas, from Theatrum Musicium, 1669
BENEDETTO FERRARI (c.1603-1681):
Amanti, io so vi dire
LUZZASCHO LUZZASCHI, ed. J. Sorrell:
Troppo ben puo questo tiranno (Trio for the Concerto delle Donne)
IV. Disdain:
BARBARA STROZZI (1619-1677), ed. J. Sorrell:
Che si puo fare, Op. 8
CLAUDIO MONTEVERDI (1567-1643):
Quel sguardo sdegnosetto, from The Scherzi Musicali
VIRGILIO MAZZOCCHI (1597-1646):
Sdegno, campion audace
V. May I have this dance?:
DIEGO ORTIZ (c.1510–c.1576), arr. J. Sorrell:
Two Recercadas from Trattado de Glosas
JUAN ARANES (1580–1649), arr. J. Sorrell:
Un Sarao de la Chacona
TRADITIONAL CATALAN, arr. J. Sorrell:
El Cant dels Ocells
Attributed to STEFANO LANDI (1587–1639), arr. J. Sorrell:
Passacaglia della Vita
II. In the Palace of Ferrara:
ANDREA FALCONIERI (1586–1656), arr. R. Schiffer:
Ciaccona in G Major, Primo Libro di Canzone & Sinfonie, 1650
LUZZASCHO LUZZASCHI (c.1545–1607):
Toccata del Quarto Tono
Dolcezze amarissime (Trio for the Concerto delle Donne)
III. Love is too Much:
ALESSANDRO PICCININI (1566–1638):
Toccata in G Minor
BIAGIO MARINI (1594–1663):
Passacalio a 4 in G Minor, Op. 22 No. 25
Sonata sopra Fuggi dolente core, Op. 22 No. 21
SAMUEL FRIEDRICH CAPRICORNUS (1628–1665), arr. J. Sorrell:
O Felix Jucunditas, from Theatrum Musicium, 1669
BENEDETTO FERRARI (c.1603-1681):
Amanti, io so vi dire
LUZZASCHO LUZZASCHI, ed. J. Sorrell:
Troppo ben puo questo tiranno (Trio for the Concerto delle Donne)
IV. Disdain:
BARBARA STROZZI (1619-1677), ed. J. Sorrell:
Che si puo fare, Op. 8
CLAUDIO MONTEVERDI (1567-1643):
Quel sguardo sdegnosetto, from The Scherzi Musicali
VIRGILIO MAZZOCCHI (1597-1646):
Sdegno, campion audace
V. May I have this dance?:
DIEGO ORTIZ (c.1510–c.1576), arr. J. Sorrell:
Two Recercadas from Trattado de Glosas
JUAN ARANES (1580–1649), arr. J. Sorrell:
Un Sarao de la Chacona
Their names were Laura, Livia, and Anna. Together, they were known in the late 1500’s as the Tre Donne di Ferrara – the three ladies of Ferrara. Their ensemble was praised by contemporary poets and won highest renown throughout Italy and Germany. However, women were not supposed to become famous for their professional achievements. And so, one of them was murdered by her husband – a count – who went unpunished. Thus, this is a tale of revolutionary women ahead of their time, living in an era when women had no protections.
In this album, it has been my pleasure to collaborate with three extraordinary ladies of today – named Amanda, Amanda, and Amanda. The Amandas and I are proud to offer this homage to the unstoppable Italian women who broke the glass ceiling in 1580. We hope that their brilliance and boldness resound through this recording.
In this album, it has been my pleasure to collaborate with three extraordinary ladies of today – named Amanda, Amanda, and Amanda. The Amandas and I are proud to offer this homage to the unstoppable Italian women who broke the glass ceiling in 1580. We hope that their brilliance and boldness resound through this recording.