Wydawnictwo: First Hand Records
Nr katalogowy: FHR 145
Nośnik: 1 CD
Data wydania: kwiecień 2024
EAN: 5060216349145
Nr katalogowy: FHR 145
Nośnik: 1 CD
Data wydania: kwiecień 2024
EAN: 5060216349145
Nasze kategorie wyszukiwania
Epoka muzyczna: barok
Obszar (język): włoski, niemiecki
Instrumenty: skrzypce, wiolonczela
Rodzaj: msza, stabat mater, psalm
Epoka muzyczna: barok
Obszar (język): włoski, niemiecki
Instrumenty: skrzypce, wiolonczela
Rodzaj: msza, stabat mater, psalm
Schutz / Monteverdi / Rossi: A German in Venice
First Hand Records - FHR 145
Kompozytor
Heinrich Schutz (1585-1672)
Claudio Monteverdi (1567-1643)
Salomone Rossi (1570-1630)
Alessandro Grandi, Giovanni Felice Sances
Heinrich Schutz (1585-1672)
Claudio Monteverdi (1567-1643)
Salomone Rossi (1570-1630)
Alessandro Grandi, Giovanni Felice Sances
Wykonawcy
Rachel Harris, Kathryn Parry, violin
Tatty Theo, cello
Carolyn Gibley harpsichord, organ
Lynda Sayce, theorbo, lute
Lisete da Silva Bull
Emily Bannister
Rachel Harris, Kathryn Parry, violin
Tatty Theo, cello
Carolyn Gibley harpsichord, organ
Lynda Sayce, theorbo, lute
Lisete da Silva Bull
Emily Bannister
Schutz:
Lobet den Herrn, SWV 350
Monteverdi:
Messa a quattro voci et salmi concertati
Rossi:
Il terzo libro de varie sonate, sinfonie, gagliarde, brandi e corrente, Op. 12
Sances:
Stabat Mater
Grandi:
Decantabat populus Israel
Lobet den Herrn, SWV 350
Monteverdi:
Messa a quattro voci et salmi concertati
Rossi:
Il terzo libro de varie sonate, sinfonie, gagliarde, brandi e corrente, Op. 12
Sances:
Stabat Mater
Grandi:
Decantabat populus Israel
One of the key German composers before Bach with more than 500 surviving individual pieces, Heinrich Schütz wrote mainly church music, and is credited with bringing the Italian style to Germany and continuing its evolution on from the Renaissance into the early Baroque. Although he lived most of his long life in Germany, in his twenties es Schütz made two visits to Venice. The fi rst was between 1609 and 1613 when he was taught by Giovanni Gabrieli; and the second in the late 1620s to meet and possibly study under Monteverdi. The two trips greatly infl uenced Schütz’s music as he absorbed and began to combine the ornate and theatrical Venetian an style with the more understated Lutheran tradition on in which he grew up. This album explores his solo cantatas alongside examples of the brilliant and virtuosic Venetian an style instrumental music.