Double-manual harpsichord (4478), Luigi Baillon, Cyteux, 1755
Louis Couperin (1626-1661) 1-5 Suite in C major
Triple-fretted clavichord (4486), possibly Flemish, c. 1620
Two Renaissance dances anon. Dutch 16th century 6 Almande prynce, anon. early 16th century 7 Fusi pavana piana
Grand pianoforte (4492), Johann Friedrich Kuhlbörs, Breslau, c. 1805
Joseph Haydn (1732-1809) 8 Adagio in G (Hob. XV/22) 9 Fantasia in C (Hob. XVII/4)
Single-manual harpsichord (4479), Thomas Barton, London, 1709
Henry Purcell (1659-1695) 10-14 Suit of Lessons in C, John Blow (1649-1708) 15 Mortlack's Ground
Unfretted clavichord (4487), possibly Dresden, c.1740
Johann Jacob Froberger (1616-1667) 16 Lamento sopra la dolora perdita della Real Msta. Di Ferdinando IV, Ré de Romani
J.S. Bach (1685-1750) 17-19 Suite in F minor BWV 823
Virginal (4484), Honofrio Guarracino, Naples, 1678
Bernardo Pasquini (1637-1710) 20 Alemanda 21 Corrente
Single-manual harpsichord (4471), Bernardinus de Trasuntinis, Venice, 1574
William Byrd (c. 1540-1623) 22 Pavan:
Bray [MB XXVIII, 59a, b] 23 Galliard

Girolamo Frescobaldi (1583-1643), 24 Toccata nona (1637)
Single-manual harpsichord (4473), Franciscus de Paulinis, Rimini, 1725
Alessandro Scarlatti (1660-1725) 25 Toccata decima in F
Grand pianoforte (4490), John Broadwood, London, 1793
Felix Mendelssohn (1809-1847) 26-28 Three Songs Without Words

St Cecilia’s Hall is the oldest purpose-built concert hall in Scotland, dating from 1763. In 1968 it became home to the Raymond Russell Collection of Early Keyboard Instruments. This already world famous collection was further enhanced in 2005 when the University of Edinburgh received the extraordinary gift of 22 historic keyboard instruments from Rodger and Lynne Mirrey; the galleries at St Cecilia’s Hall now house one of the two most comprehensive collections of early keyboard instruments in the world. John Kitchen’s demonstration recital couples music with instrument in a way that informs and entertains. ''As a champion of the instruments in the Raymond Russell Collection in Edinburgh, John Kitchen's previous recording shave drawn universal praise. This latest addition to his discography is destined, I am sure, to enhance his formidable reputation.’ - Early Music Review, August 2009