Wydawnictwo: Musica Ficta
Nr katalogowy: MF 8012
Nośnik: 1 CD
Data wydania: marzec 2011
EAN: 5410939801220
Nr katalogowy: MF 8012
Nośnik: 1 CD
Data wydania: marzec 2011
EAN: 5410939801220
Porpora / Pergolesi: Cantate e sonate da camera
Musica Ficta - MF 8012
Wykonawcy
Magali Leger, sopran
Ensemble Rosasolis
Magali Leger, sopran
Ensemble Rosasolis
Utwory na płycie:
- 1 Orfeo (Kantate für Sopran, Streicher und B. c.) - Nr. 1 Nel chiuso centro (Rezitativ).mp3
- 10 Dalsigre, ahi mia dalsigre (Kantate für Sopran und Instrument(e)) - Nr. 2 Dite ch ogni momento.mp3
- 11 Dalsigre, ahi mia dalsigre (Kantate für Sopran und Instrument(e)) - Nr. 3 Se pietà non vi muove.mp3
- 12 Dalsigre, ahi mia dalsigre (Kantate für Sopran und Instrument(e)) - Nr. 4 Torni volando.mp3
- 13 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 1. Satz_ Adagio sostenuto.mp3
- 13 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 1. Satz: Adagio sostenuto.mp3
- 14 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 2. Satz_ Allegro.mp3
- 14 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 2. Satz: Allegro.mp3
- 15 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 3. Satz_ Adagio.mp3
- 15 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 3. Satz: Adagio.mp3
- 16 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 4. Satz_ Aria prima.mp3
- 16 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 4. Satz: Aria prima.mp3
- 17 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 5. Satz_ Aria seconda.mp3
- 17 Sinfonie da camera op. 2 Nr. 1-6 Nr. 3 (g-moll) - 5. Satz: Aria seconda.mp3
- 18 Chi non ode, chi non vede (Kantate für Sopran und Instrument(e)) - Nr. 1 Chi non ode e chi non vede.mp3
- 19 Chi non ode, chi non vede (Kantate für Sopran und Instrument(e)) - Nr. 2 Di costei parlo (Rezitativ).mp3
- 2 Orfeo (Kantate für Sopran, Streicher und B. c.) - Nr. 2 Euridice, e dove, e dove sei (Arie).mp3
- 20 Chi non ode, chi non vede (Kantate für Sopran und Instrument(e)) - Nr. 3 Tu dovresti, amor tiranno (Largo).mp3
- 21 Chi non ode, chi non vede (Kantate für Sopran und Instrument(e)) - Nr. 4 Cadrò contento (Arie).mp3
- 3 Orfeo (Kantate für Sopran, Streicher und B. c.) - Nr. 3 Si, che pieta non v e (Rezitativ).mp3
- 4 Orfeo (Kantate für Sopran, Streicher und B. c.) - Nr. 4 O d Euridice, n andrò festoso (Arie).mp3
- 5 Sinfonie da camera op. 2 Nr. 1-6 Nr. 2 (C-dur) - 1. Satz_ Adagio.mp3
- 5 Sinfonie da camera op. 2 Nr. 1-6 Nr. 2 (C-dur) - 1. Satz: Adagio.mp3
- 6 Sinfonie da camera op. 2 Nr. 1-6 Nr. 2 (C-dur) - 2. Satz_ Allegro.mp3
- 6 Sinfonie da camera op. 2 Nr. 1-6 Nr. 2 (C-dur) - 2. Satz: Allegro.mp3
- 7 Sinfonie da camera op. 2 Nr. 1-6 Nr. 2 (C-dur) - 3. Satz_ Affettuoso.mp3
- 7 Sinfonie da camera op. 2 Nr. 1-6 Nr. 2 (C-dur) - 3. Satz: Affettuoso.mp3
- 8 Sinfonie da camera op. 2 Nr. 1-6 Nr. 2 (C-dur) - 4. Satz_ Allegro.mp3
- 8 Sinfonie da camera op. 2 Nr. 1-6 Nr. 2 (C-dur) - 4. Satz: Allegro.mp3
- 9 Dalsigre, ahi mia dalsigre (Kantate für Sopran und Instrument(e)) - Nr. 1 Dalsigre ahi! Mia dalsigre (Rezitativ).mp3
Pergolesi:
Lontananza op2/1
Orfeo op2/4
Segreto tormento op2/3
Porpora:
Sinfonia da camera a tre op2/2,3
Lontananza op2/1
Orfeo op2/4
Segreto tormento op2/3
Porpora:
Sinfonia da camera a tre op2/2,3
Giovanni Battista Pergolesi is unquestionably one of the most fascinating personalities of the 18th century. While his life remains generally shrouded in mystery, his name and his works have so intrigued later generations that he has become a truly legendary figure.
The three cantatas for soprano, strings and basso continuo presented here appear, along with a fourth for alto, in an elegant collection published around 1736. This was a posthumous compilation of works composed during the Neapolitan composer’s all-too-brief career. They all exhibit the new pre-galant manner characteristic of the latest Neapolitan music of the time, while remaining close to the baroque style with their dense harmonic language and expressive melodic lines.
Pergolesi’s extraordinary popularity only a few years after his death coincided with a considerable craze for the Neapolitan school in most of the European courts. From the 1740s, Neapolitan music became the benchmark and model. Nicola Antonio Porpora in all probability played, along with many others, an important role in this growing recognition. His instrumental works, few in number, include some chamber sinfonie.
The three cantatas for soprano, strings and basso continuo presented here appear, along with a fourth for alto, in an elegant collection published around 1736. This was a posthumous compilation of works composed during the Neapolitan composer’s all-too-brief career. They all exhibit the new pre-galant manner characteristic of the latest Neapolitan music of the time, while remaining close to the baroque style with their dense harmonic language and expressive melodic lines.
Pergolesi’s extraordinary popularity only a few years after his death coincided with a considerable craze for the Neapolitan school in most of the European courts. From the 1740s, Neapolitan music became the benchmark and model. Nicola Antonio Porpora in all probability played, along with many others, an important role in this growing recognition. His instrumental works, few in number, include some chamber sinfonie.