Utwory na płycie:

• Lieder op. 60 Nr. 1-2 - Nr. 1 Kom nu hit, död (Komm herbei, Tod)
• Lieder op. 36 Nr. 1-6 - Nr. 6 Demanten på marssnön (Der Diamant auf dem Märzschnee)
• Lieder op. 17 Nr. 1-7 - Nr. 6 Illalle (An den Abend)
• Sinfonie Nr. 2 D-Dur, Op. 43 - 1. Allegretto
• Sinfonie Nr. 2 D-Dur, Op. 43 - 2. Tempo andante, ma rubato
• Sinfonie Nr. 2 D-Dur, Op. 43 - 3. Vivacissimo
• Sinfonie Nr. 2 D-Dur, Op. 43 - 4. Finale: Allegro moderato
• Sinfonie Nr. 4 a-moll, Op. 63 - 1. Tempo molto moderato, quasi adagio
• Sinfonie Nr. 4 a-moll, Op. 63 - 2. Allegro molto vivace
• Sinfonie Nr. 4 a-moll, Op. 63 - 3. Il tempo largo
• Sinfonie Nr. 4 a-moll, Op. 63 - 4. Allegro
• Sinfonie Nr. 5 Es-Dur, Op. 82 - 1. Tempo molto moderato - Allegro moderato
• Sinfonie Nr. 5 Es-Dur, Op. 82 - 2. Andante mosso, quasi allegretto
• Sinfonie Nr. 5 Es-Dur, Op. 82 - 3. Allegro molto - Largamente assai

CD 1:
Kom nu hit, död, Op. 60/1
Demanten pa marssnön, Op. 36/6
Illalle, Op. 17/6
Symphony No. 2 in D Major, Op. 43

CD 2:
Symphony No. 4 in A Minor, Op. 63
Symphony No. 5 in E flat Major, Op. 82

Rosbaud is not generally recognised as a conductor of Sibelius’ works to the extent that he is as an interpreter of the music of Mozart, Mahler, Strauss or the radical modern music of the 1950s. Music enthusiasts with high expectations, however, got to know him as a result of the well-received 1954 recording he made for Deutsche Grammophon of some of the Finnish composer’s shorter orchestral works. Rosbaud combined a meticulous approach, unmistakable intuition, extensive experience with complex genres and extraordinary liveliness. His studio recordings from 1955 and 1961 of three Sibelius symphonies and three songs for voice and orchestra clearly demonstrate his optimum artistic approach to the music of the great Finnish master.

---

Recordings: Baden-Baden, Studio V (later Hans-Rosbaud-Studio), 06.12.1955 (CD 1, Tr. 1-3), 07.01.1955 (CD 1, Tr. 4-7), 10.01.1961 (CD 2, Tr. 1-4), 05.12.1955 (CD 2, Tr. 5-7).