La Rosa de la Alhambra – The Rose of the Alhambra
Pneuma - PN 1160
Wykonawcy
Musica Antigua:
Felipe Sanchez, guitarrra medieval, guitarra barroca, guitarra romantica
Cesar Carazo, canto, viola
Wafir Sheik, lauacuted arabe
Jaime Munoz, traverso, kaval, axabeba, cornamusa, chalumeau, cálamo
David Mayoral, tambor, pandero, darbugas, tar, rek / Eduardo Paniagua, salterio, flauta soprano, flauta alto, flauta tenor, flauta bajo, tar
Musica Antigua:
Felipe Sanchez, guitarrra medieval, guitarra barroca, guitarra romantica
Cesar Carazo, canto, viola
Wafir Sheik, lauacuted arabe
Jaime Munoz, traverso, kaval, axabeba, cornamusa, chalumeau, cálamo
David Mayoral, tambor, pandero, darbugas, tar, rek / Eduardo Paniagua, salterio, flauta soprano, flauta alto, flauta tenor, flauta bajo, tar
Utwory na płycie:
Como Rosa Entre Espinas- Fandango. Pastor de Gacelas
- Cuatro Folías
- El Requiebro
- Como la Rosa en la Huerta
- Las Penas
- Canción de Boda para la Reina
- La Rosa Enflorece
- A los Banos del Amor
- La Fuerza Que Tiene Zorahaida
- Nina Erguídme los Ojos
- Torre de la Nina
- Por Vos, Mal Me Viene, Nina
- Carino Mío
- Tres Morillas
- Aquel Caballero, Madre
- Cuento en la Alhambra
- Las Tres Hermosas Princesas
- Ay Triste, Que Vengo
La Rosa De La Alhambra - The Rose of The Alhambra:
Tales by Washington Irving - Musica de los Siglos XIV al XIX
Tales by Washington Irving - Musica de los Siglos XIV al XIX
This is a recording made with historical music for the Tales of the Alhambra by Washington Irving. Of the 34 chapters in the book, we have taken only two in which the music is just as important as a protagonist as the characters, the consecutive tales “The legend of the three princesses” and “The legend of the Rose of the Alhambra”. The idea was to capture the atmosphere of Wahington Irving’s experience in Granada and his circumstances through music from different eras: nazari andalusi melodies and Arabic poems, 15th Century Christian love songs from the time of the conquest of Granada, baroque music from the time of Philip III and Philip IV (who is also one of the main characters in the second legend), right up to the romantic music of the time of the author at the beginning of the 19th Century.
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