Utwory na płycie:

• Meine Freundin, du bist schön
• Ciacona: Mein Freund ist mein
• Wo ist dein Freund
• Ich habe meine Myrrhen
• Esset meine Lieben
• Das gratias das singen wir
• Bone Jesu, care Jesu, ne me tu desere
• Konzert für Cembalo BWV 1057 - Allegro
• Konzert für Cembalo BWV 1057 - Andante
• Konzert für Cembalo BWV 1057 - Allegro assai
• Gottes Zeit ist die allerbeste Zeit BWV 106 - Sonatina, Molto Adagio
• Gottes Zeit ist die allerbeste Zeit BWV 106 - Gottes Zeit ist die allerbeste Zeit
• Gottes Zeit ist die allerbeste Zeit BWV 106 - Ach Herr - Bestelle dein Haus - Es ist der alte Bund
• Gottes Zeit ist die allerbeste Zeit BWV 106 - In deine Hände - Heute wirst du mit mir
• Gottes Zeit ist die allerbeste Zeit BWV 106 - Glorie, Lob, Ehr und Herrlichkeit

Johann Christoph Bach - Hochzeitskantate:
Meine Freundin, du bist schön
Ciacona - Mein Freund ist mein
Wo ist dein Freund
Ich habe meine Myrrhen
Esset meine Lieben
Das gratias das singen wir

Johann Kuhnau:
Bone Jesu, care Jesu, ne me tu desere

Johann Sebastian Bach:
Konzert für Cembalo, BWV 1057
Actus tragicus, BWV 106

Whenever the name of Bach is mentioned today, we immediately think of Johann Sebastian Bach. In the late 17th and early 18th centuries, however, there was a great chance that the question “Which Bach?” would immediately follow. The obituary that Carl Philipp Emanuel Bach wrote after his father’s death in 1750 begins with the words “Johann Sebastian Bach belonged to a family, all of whose members seemed to have received a love of and talent for music as gifts of Nature”. Music was the Bach family’s profession: almost every male member of the family either composed or built instruments or was an organist or instrumentalist or Kapellmeister; the Bach family name was simply another word for musician in Thuringia at that time. Johann Sebastian Bach himself was highly conscious of belonging to a long family tradition; he drew up a document entitled Ursprung der musicalisch-Bachischen Familie in 1735 in which he laid out his family’s genealogy, tracing the roots of the family back to his great-great-grandfather, the baker and miller Veit Bach (d. 1619), and mentioning some fifty musicians, his own sons included. J.S. Bach would definitely have been pleased when he received a number of manuscripts of works by earlier family members in that same year. The collection included sacred cantatas by Johann Michael and Johann Christoph Bach as well as motets by Georg Christoph Bach, Johann Bach, Adam Drese and a few anonymous composers. This gift, later to be known as the Altbachisches Archiv, was more than welcome, given its contents. The feverish activity with which Bach began his career as Cantor of the Thomaskirche in Leipzig in 1723 and during which he had composed a new cantata every week for more than two years had long since quietened down; new music to be performed was more than welcome. Bach soon had several of the cantatas performed in Leipzig; he did not need to have any worries about their quality, for they all bore the hallmark of the Bach family. BachPlus under direction of Bart Naessens releases the first of a serie CD’s covering music of the Bach family members and there contemoraries. This one covers Johann Sebastian Bach: Gottes Zeit Ist Die Allerbeste Zeit and Johann Christoph Bach Meine Freundin, Du Bist Schön.