Utwory na płycie:

• Piano Quartet in D Minor, Op. 50 - 1. Vivace, ma non troppo
• Piano Quartet in D Minor, Op. 50 - 2. Andante poco sostenuto
• Piano Quartet in D Minor, Op. 50 - 3. Vivace
• Piano Quartet in D Minor, Op. 50 - 4. Animato
• Violin Sonate in F Minor, Op. 67 - 1. Allegro molto
• Violin Sonate in F Minor, Op. 67 - 2. Romanze: Andante
• Violin Sonate in F Minor, Op. 67 - 3. Allegro molto
• Romance for cello and piano, Op. 48
• Piano Trio in A Major, Op. 18 - 1. Allegro animato
• Piano Trio in A Major, Op. 18 - 2. Andante con moto
• Piano Trio in A Major, Op. 18 - 3. Vivace assai
• Piano Trio in A Major, Op. 18 - 4. Allegro con fuoco
• Adagio in F Major for violin and piano, Op. 31a
• Three Prairie Pictures for violin and piano, Op. 39 - 1. Vivace
• Three Prairie Pictures for violin and piano, Op. 39 - 2. Russische Romanze: Non troppo lento
• Three Prairie Pictures for violin and piano, Op. 39 - 3. Trepak: Vivace
• Serenade for Cello and Piano, Op. 63 - 1. Marsch: Allegro non troppo
• Serenade for Cello and Piano, Op. 63 - 2. Lied: Moderato
• Serenade for Cello and Piano, Op. 63 - 3. Reigen: Allegro
• Serenade for Cello and Piano, Op. 63 - 4. Abendgesang: Andante
• Serenade for Cello and Piano, Op. 63 - 5. Gavotte: Allegro
• Andante for clarinet and piano, Op. 98

CD 1:
Piano Quartet in D minor, Op. 50
Violin Sonata in F minor, Op. 67
Romance in D major for cello and piano, Op. 48

CD 2:
Piano Trio in A major, Op. 18
Adagio in F major for violin and piano, Op. 31a
Three Prairie Pictures for violin and piano, Op. 39
Serenade for cello and piano, Op. 63
Andante for clarinet and piano, Op. 98

Heinrich Hofmann (1842-1902) had an unspectacular life, but enjoyed some spectacular successes. He rose to fame in 1869 at the age of 27 with his Parisian crime caper Cartouche; Jacques Offenbach's one-act plays were very popular in Berlin at the time. From then on, Hofmann no longer had to give piano lessons, but was able to live off the proceeds of his compositions.

With his programmatic symphony Frithjof (based on a Nordic saga), the heroic opera Armin, (which ends with the victory of the Cherusci in the Teutoburg Forest), and the ingenuous musical comedy Ännchen von Tharau, (in which a young theology student cadges the folk song Ännchen from the elderly lyricist Simon Dach), he created works which were frequently performed in his time, reflecting the zeitgeist of the years 1870 to 1890 following the founding of the German Empire.

But even his honourable acceptance into the Berlin Academy of Arts could not prevent his works from being performed less frequently from the 1890’s on. After his death, his music fell largely into obscurity.

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Recording: Baden-Baden, Hans-Rosbaud-Studio, 22–25.02.2022, 22-23.03.2022.