Gabriel Jackson:
Stabat Mater

Giovanni Pierluigi da Palestrina:
Super flumina Babylonis
Stabat Mater
Ave Maria

Gregorio Allegri:
Miserere

James MacMillan:
Miserere

Celebrating its tenth anniversary with its tenth recording on Delphian, The Marian Consort plays to its twin strengths in a lovingly conceived programme coupling two pillars of Renaissance polyphony with twenty-firstcentury settings of the same texts, including a newly commissioned Stabat Mater by Gabriel Jackson.

A range of subplots – Palestrina’s influence on Wagner, Charles Burney’s collecting of Allegri and Palestrina – make this truly a story of interconnections: a path on which the present’s footsteps constantly overlay the past’s. At the centre is Allegri’s Miserere, whose convoluted reception history itself becomes part of the story and whose performance here fully exploits the worldfamous acoustic of Merton College’s chapel.