Utwory na płycie:

• La Benaglia
• Sinfonia No Xxii
• Sonata seconda a 3 violini
• Aria sopra la Bergamasca
• Sonata IV
• Toccata IX
• Sonata X
• Concerto in do minor, RV 401 - Allegro non molto
• Concerto in do minor, RV 401 - Adagio
• Concerto in do minor, RV 401 - Allegro ma non molto
• Sonata a 3 secondo tuono
• Arpeggiata a mio modo
• Sonata a 3 La Foscarina
• Sonata sopra La Monica

Giovanni Legrenzi:
La Benaglia

Alessandro Stradella:
Sinfonia No XXII

Giovanni Battista Buonamente:
Sonata seconda a 3 violini

Marco Uccellini:
Aria sopra la Bergamasca

Dario Castello:
Sonata IV
Sonata X

Michelangelo Rossi:
Toccata IX

Antonio Vivaldi:
Concerto in do minor, RV 401

Francesco Turini:
Sonata a 3 secondo tuono

Bellerofonte Castaldi:
Arpeggiata a mio modo

Biagio Marini:
Sonata a 3 La Foscarina
Sonata sopra La Monica

It was a particularly innovative period: the telescope, the pendulum clock and Newton's laws of gravity are just a few examples of the developments and discoveries of the 17th century. No wonder that music also experienced many innovations.

One of the most important was immediately a completely new genre: In the baroque opera, which developed from 1600 onwards, affects were the central means of creation; emotional states of the protagonists, which develop from the opera plot and can then be expressed with a rich canon of musical means. In the Venice of the "Seicento" this art reaches ever new heights and is then also transferred from opera to other musical genres - musical affects, purely instrumental. Some of these fascinating "operas without words" are presented by the Ensemble Colorito in the bright, intense colour scheme to which it owes its name.