Wydawnictwo: Chandos
Nr katalogowy: CHSA 5263
Nośnik: 1 SACD
Data wydania: czerwiec 2021
EAN: 95115526323
Nr katalogowy: CHSA 5263
Nośnik: 1 SACD
Data wydania: czerwiec 2021
EAN: 95115526323
Dutilleux: Le Loup & Other Works
Chandos - CHSA 5263
Kompozytor
Henri Dutilleux (1916-2013)
Henri Dutilleux (1916-2013)
Wykonawcy
Adam Walker, flute
Juliana Koch, oboe
Jonathan Davies, bassoon
Sinfonia of London / John Wilson
Adam Walker, flute
Juliana Koch, oboe
Jonathan Davies, bassoon
Sinfonia of London / John Wilson
Utwory na płycie:
- Le Loup - Premier Tableau. La Baraque foraine. Les Mystifications
- Le Loup - Deula Bxième Tableau. La Chambre nuptiale. La Belle et la Bête
- Le Loup - Troisième Tableau. La Forêt d'hiver. Danse d'amour - Danse de mort
- Sonatine
- Sonate - I. Grave
- Sonate - II. Scherzo
- Sonate - III. Finale
- Sarabande et Cortège - Sarabande
- Sarabande et Cortège - Cortège
Le Loup (The Wolf) - Ballet in One Act and Three Tableaux
Sonatine for Flute and Piano
Sonate for Oboe and Piano
Sarabande et Cortege
Sonatine for Flute and Piano
Sonate for Oboe and Piano
Sarabande et Cortege
Following the success of their previous album, English Music for Strings, John Wilson and his Sinfonia of London turn their attention to the music of Henri Dutilleux. His ballet Le Loup was composed as a commission for Roland Petit’s dance company and premiered in Paris in March 1953. Rarely recorded – this is the first recording by a non-French orchestra – the work unfolds in three tableaux and tells a convoluted tale of a bridegroom who jilts his bride (to run away with a gypsy) by persuading her that he has been changed into a wolf. Over time she discovers that the wolf is real, but her feelings turn from terror to love and when the alarmed villagers hunt the wolf, she defends him and dies at his side.
The album is completed by three world-premiere recordings of new orchestrations (by Kenneth Hesketh) of wind solos written for the Paris Conservatoire in the 1940s. Both the Sarabande et Cortege and Sonate pour hautbois are virtuosic tours de force for their soloists, as is the Sonatine pour flute, which displays the lyricism, agility, and sparkling incisive qualities of the flute in what became Dutilleux’s most-performed work.
Recorded in Surround Sound, the album is available as a hybrid-SACD.
Recording: Church of S. Augustine, Kilburn, London; 6 – 9 January 2020.
The album is completed by three world-premiere recordings of new orchestrations (by Kenneth Hesketh) of wind solos written for the Paris Conservatoire in the 1940s. Both the Sarabande et Cortege and Sonate pour hautbois are virtuosic tours de force for their soloists, as is the Sonatine pour flute, which displays the lyricism, agility, and sparkling incisive qualities of the flute in what became Dutilleux’s most-performed work.
Recorded in Surround Sound, the album is available as a hybrid-SACD.
Recording: Church of S. Augustine, Kilburn, London; 6 – 9 January 2020.