Wizlaw II . von Rügen (1265/68-1325):
Der unghelarte hat ghemachet eyne senende wise (Leich)
Nach der senenden claghe
De voghelin untphat des lechten meyien scin
Od zielonego gaju (trad., ancient slavic)
I warne dich, vil junger man
Ich han gedacht (Rondellus)
Bist du in der minne dro
Der unghelarte hat ghemachet eyne senende wise (Leich)

Peter von Ahrberg (c. 1350-1386):
Graff peters große tagewyse

Meister Alexander (13th c.):
Myn trurichlichiz klagen (Minneleich)

Frauenlob (1250/60-1318)/Regenbogen (?- c. 1320):
Prueffwyse/Kupalatanz (trad., ancient slavic)

Anonym:
In dem ungelarten
O Maria virgineis (Conductus)
Lai de la Pastourelle Pora maty zyto (trad., ancient slavic)

The figure of the mysterious flautist who according to legend enticed the children away from the town of Hamelin with his music in the year 1284 has retained its fascination up to the present day. What sort of music could the Pied Piper have played?

Norbert Rodenkirchen, a specialist in medieval flute music, has evaluated contemporary sources - based on recent research findings - and produced a musical compilation forming a tonal portrait. The melodies of Prince Wizlaw III of Rügen and ancient Slavonic dances provide the focus of this CD alongside numerous sources of other minnesingers and are utilised by the musician to recreate the enchanting melodies of the Pied Piper.