Wydawnictwo: Christophorus
Nr katalogowy: CHR 77349
Nośnik: 1 CD
Data wydania: kwiecień 2011
EAN: 4010072773494
Nr katalogowy: CHR 77349
Nośnik: 1 CD
Data wydania: kwiecień 2011
EAN: 4010072773494
Amor vincit omnia - Medieval Love Songs
Christophorus - CHR 77349
Kompozytor
Comtessa de Dia (c1200); Oswald von Wolkenstein (c1377-1445); Anonymous (Italy, 14th c., Codex Rossi); Martin Codax (Spain, 13th c.)
Comtessa de Dia (c1200); Oswald von Wolkenstein (c1377-1445); Anonymous (Italy, 14th c., Codex Rossi); Martin Codax (Spain, 13th c.)
Wykonawcy
Regina Kabis, soprano
Ensemble a Chantar :
Manuela Mohr, recorders
Marc Lewon, lute, vielle, vocals
Baptiste Romain, Fidel, vielle, backpipes
Murat Coskun, percussion
Regina Kabis, soprano
Ensemble a Chantar :
Manuela Mohr, recorders
Marc Lewon, lute, vielle, vocals
Baptiste Romain, Fidel, vielle, backpipes
Murat Coskun, percussion
Nagrody i rekomendacje
Utwory na płycie:
A chantar m'er de so qu'en no volria, song- Stampida Codaxa, for ensemble: Prima & Secunda Pars
- Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga): Ondas do mar de Vigo
- Stampida Codaxa, for ensemble: Tercia Pars
- Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga): Mandad' ei comigo
- Stampida Codaxa, for ensemble: Quarta Pars
- Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga): Mia irmana fremosa, treides comigo
- Stampida Codaxa, for ensemble: Quinta Pars
- Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga): Ay Deus, se sab'ora meu amigo
- Stampida Codaxa, for ensemble: Sexta Pars
- Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga): Quantas sabedes amar amigo
- Stampida Codaxa, for ensemble: Septima Pars
- Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga): Eno sagrado en Vigo
- Stampida Codaxa, for ensemble: Octava Pars
- Cantigas (7) de Amigo, song cycle for voice and accompaniment (music missing from 1 cantiga): Ay ondas, que eu vin veer
- Kreuslich geboren, for voice & ensemble
- Parlamento
- Ave Mater, for 3 voices, K 116
- Treib her, treib überher, for voice & ensemble
- Amor mi fa cantar
- Cantiga de Santa Maria: Maravillosos et piadosos
- Lucente stella
- Fra mille corvi
- Che ti zova nasconder, ballata
- Ab joi e ab joven m'apais, song
Amor vincit omnia - Medieval Love Songs
Martin Codax (Spain, 13th c.):
Cantigas d’amigo
Comtessa de Dia (c1200):
A chantar m’er de so q’ieu no volria, Ab joi et ab joven m’apais
Oswald von Wolkenstein (c1377-1445):
Keuschlich geboren
Ave, mater, o Maria
Treib her, treib
überher – Anonymous (Italy, 14th c., Codex Rossi):
Amor mi fa cantar a la francescha
Lucente
stella, Che ti zova nasconder – et al.
Martin Codax (Spain, 13th c.):
Cantigas d’amigo
Comtessa de Dia (c1200):
A chantar m’er de so q’ieu no volria, Ab joi et ab joven m’apais
Oswald von Wolkenstein (c1377-1445):
Keuschlich geboren
Ave, mater, o Maria
Treib her, treib
überher – Anonymous (Italy, 14th c., Codex Rossi):
Amor mi fa cantar a la francescha
Lucente
stella, Che ti zova nasconder – et al.
“Regina Kabis’s childlike soprano could become a cult early voice, like Kirkby’s or Montserrat Figueras’s.” (Sunday Times, 19 Dec. 2010)
Medieval poets took the famous words by Virgil “Omnia vincit Amor” as their motto for an entire literary era: “Amor vincit omnia” (Amor/Love conquers all). This aphorism shaped the character of Western lyrical poetry right back to the time of the Troubadours who began to travel between different courts in the South of France with their art-form which subsequently became established in the German-speaking world as “minnesong”. The subject of love on a variety of levels runs through the entire CD as a common theme: courtly love in the chansons by the Countess Beatritz of Diá and the monophonic Italian songs of the Codex Rossi, the adoration of the Virgin Mary in works by Oswald von Wolkenstein, and with a particular local atmosphere in the Cantigas d’amigo of the trobador Martin Codax.
His famous chansons can be discovered in numerous different recordings. But instead of merely performing each song one after another, the Ensemble a chantar links up the individual pieces with sections instrumental interludes to span an arc encompassing the complete cycle. This transforms the Cantigas d’amigo from a mere collection of seven songs to a single unified entity. The missing melody of the sixth Cantiga has been replaced here by a new composition.
Medieval poets took the famous words by Virgil “Omnia vincit Amor” as their motto for an entire literary era: “Amor vincit omnia” (Amor/Love conquers all). This aphorism shaped the character of Western lyrical poetry right back to the time of the Troubadours who began to travel between different courts in the South of France with their art-form which subsequently became established in the German-speaking world as “minnesong”. The subject of love on a variety of levels runs through the entire CD as a common theme: courtly love in the chansons by the Countess Beatritz of Diá and the monophonic Italian songs of the Codex Rossi, the adoration of the Virgin Mary in works by Oswald von Wolkenstein, and with a particular local atmosphere in the Cantigas d’amigo of the trobador Martin Codax.
His famous chansons can be discovered in numerous different recordings. But instead of merely performing each song one after another, the Ensemble a chantar links up the individual pieces with sections instrumental interludes to span an arc encompassing the complete cycle. This transforms the Cantigas d’amigo from a mere collection of seven songs to a single unified entity. The missing melody of the sixth Cantiga has been replaced here by a new composition.
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