Luca Marenzio: Tirsi morir volea Freno Tirsi ill desio Cosi moriro
Giulio Cesare Arresti: Sonata in A Major
Giovanni Paolo Colonna: Sonata in D minor
Giulio Caccini: Amarilli, mia Bella
Girolamo Alessandro Frescobaldi: Toccata settima
Peter Philips: Passamezzo Pavan Passamezzo Galliard
Alessandro Striggio: Chi fara fede al cielo
Carlo Francesco Pollarolo: Sonata in D minor
Giovanni Picchi: Toccata
Domenico Zipoli: Canzona in G minor
Arcangelo Corelli: Sonata, Op.5 No.7
Anon.: Passamezzo Pavan Passamezzo Galliard
A ll the music in this programme comes from the Fitzwilliam Museum, Cambridge, and most of it was collected by its founder, Richard, Seventh Viscount Fitzwilliam of Merrion (1745 – 1816). A polymath, lover of music, amateur composer and harpsichordist, musically active from about 1760 until his death, Fitzwilliam created a legacy of exceptional importance to English musical culture.
The recording features the Boni harpsichord from the Fitzwilliam Collection, originally made by Giovanni Battista Boni who worked in Cortona in Tuscany. In some ways it is conventional for its time, having a slab sawn cypress soundboard and light cypress case, but its original set-up was a highly unusual one, with three sets of strings at the same (8 foot) pitch. During the last restoration, by Trevor Beckerleg in 1975, the third register, which had been out of use, was re-instated and this gives the player more resources than does the usual Italian harpsichord: both the front and back rows of jacks pluck the same set of strings but in different places, which gives them a distinctly different timbre, and the various combinations of the three registers provide the player with five distinct sounds to choose from. Recording: The Master’s Lodge, Downing College, University of Cambridge;
14 – 16 November 2017. Played on Single-manual harpsichord (M / F.1-1933) by Giovanni Battista Boni (d. 1641), Tuning: quarter comma mean-tone temperament. Pitch: A = 415 Hz
