Edward Op 1 No 1
Tom der Reimer Op 135a
Erlkönig Op 1 No 3
Herr Oluf Op 2 No 2
Über allen Gipfeln ist Ruh’ ‘Wandrers Nachtlied’ Op 9 Book I No 3a
Der du von dem Himmel bist ‘Wandrers Nachtlied’ Op 9 Book I No 3b
Graf Eberstein Op 9 Book VI No 5
Lynceus, der Thürmer, auf Fausts Sternwarte singend Op 9 Book VIII No 3
Süsses Begräbnis Op 62 Book I No 4
Hinkende Jamben Op 62 Book I No 5
Die wandelnde Glocke Op 20 No 3
Im Vorübergehen Op 81 No 1 arr. Fritz Schneider
Der Pilgrim vor St Just Op 99 No 3
Odins Meeresritt, oder Der Schmied auf Helgoland Op 118
Die Uhr Op 123 No 3
Der Wirthin Töchterlein Op 1 No 2
Meeresleuchten Op 145 No 1
Im Sturme Op 145 No 3
Heimlichkeit Op 145 No 4
Reiterlied Op 145 No 5

In his lifetime the German composer Carl Loewe was often referred to as the ‘Schubert of North Germany’. He is frequently credited with the development of the romantic ballad into a powerful art form, and his prolific output of ballads and songs amounts to some four hundred works. Loewe’s treatment of long narrative poems in a clever and powerful mixture of dramatic and lyrical styles, has been a template for many subsequent composers.

Many of the ballads on this disc are masterpieces of their genre and they are performed here in a magisterial Hyperion debut by Austrian baritone Florian Boesch. In these refined performances it is clear why Boesch has been labelled as ‘one of the finest interpreters of Lieder of his generation’. His ability to create characters and enact stories brings the dramatic texts vividly to life, while he maintains musical coherence with astonishing lyricism.

Loewe’s daring and imaginative accompaniments are played here by the incomparable Roger Vignoles, in another addition to his acclaimed discography of Hyperion recordings. His eloquent pianism and penetrating musicianship match Boesch’s artistry to perfection.