Wydawnictwo: Hyperion
Nr katalogowy: CDA 67714
Nośnik: 1 CD
Data wydania: sierpień 2009
EAN: 34571177144
Nr katalogowy: CDA 67714
Nośnik: 1 CD
Data wydania: sierpień 2009
EAN: 34571177144
Scarlatti: Davidis pugna et victoria
Hyperion - CDA 67714
Kompozytor
Alessandro Scarlatti (1660-1725)
Alessandro Scarlatti (1660-1725)
Wykonawcy
David - Roberta Invernizzi, soprano
Goliath - Antonio Abete, Bass
Jonathan - Robin Johannsen, soprano
Saul - Martin Oro, Countertenor
Narrator - Fredrik Akselberg, tenor
Academia Montis Regalis / Alessandro De Marchi
David - Roberta Invernizzi, soprano
Goliath - Antonio Abete, Bass
Jonathan - Robin Johannsen, soprano
Saul - Martin Oro, Countertenor
Narrator - Fredrik Akselberg, tenor
Academia Montis Regalis / Alessandro De Marchi
Utwory na płycie:
- Davidis Pugna & Victoria - Part 1 #01 Sinfonia
- Davidis Pugna & Victoria - Part 1 #02 Iochor Sub Aeria
- Davidis Pugna & Victoria - Part 1 #03 Fata Regum
- Davidis Pugna & Victoria - Part 1 #04 Horruit Audita Saul
- Davidis Pugna & Victoria - Part 1 #05 Heu Perii
- Davidis Pugna & Victoria - Part 1 #06 Periere Meae Bona Fata Sionis
- Davidis Pugna & Victoria - Part 1 #07 Quisquis Alta Per Inane
- Davidis Pugna & Victoria - Part 1 #08 Talia Clamanti
- Davidis Pugna & Victoria - Part 1 #09 Fugiat Timor
- Davidis Pugna & Victoria - Part 1 #10 Iam Veni Tu Spes
- Davidis Pugna & Victoria - Part 1 #11 Tuba, Tuba
- Davidis Pugna & Victoria - Part 1 #12 Mea Fata, Superbi
- Davidis Pugna & Victoria - Part 1 #13 Tuba, Tuba
- Davidis Pugna & Victoria - Part 1 #14 Eamus, Fugiamus
- Davidis Pugna & Victoria - Part 1 #15 Quo Fugitis Mea Turba?
- Davidis Pugna & Victoria - Part 1 #16 Verte Tela
- Davidis Pugna & Victoria - Part 1 #17 Quis Duce Trepidante Audet?
- Davidis Pugna & Victoria - Part 1 #18 O Jonathae Spes Una David
- Davidis Pugna & Victoria - Part 1 #19 Age Tuba Militaris
- Davidis Pugna & Victoria - Part 1 #20 Vincemus, Io
- Davidis Pugna & Victoria - Part 1 #21 In Flore Labente
- Davidis Pugna & Victoria - Part 1 #22 Sic Et Mortis Orrore Labente
- Davidis Pugna & Victoria - Part 1 #23 Vincemus, Io
- Davidis Pugna & Victoria - Part 2 #01 Sinfonia
- Davidis Pugna & Victoria - Part 2 #02 Evaginabo Gladium Meum
- Davidis Pugna & Victoria - Part 2 #03 Surgant, Opitulentur Tibi Dii
- Davidis Pugna & Victoria - Part 2 #04 Surgam, & Lacerabo Te
- Davidis Pugna & Victoria - Part 2 #05 Non Imbelli Duello Puelli
- Davidis Pugna & Victoria - Part 2 #06 Saevo Dente Fremente Leonem
- Davidis Pugna & Victoria - Part 2 #07 Cives, Io, Date Plausum
- Davidis Pugna & Victoria - Part 2 #08 Philistaei, Reboate
- Davidis Pugna & Victoria - Part 2 #09 Ad Arma
- Davidis Pugna & Victoria - Part 2 #10 Tu Mihi Superum Aeterne Rex
- Davidis Pugna & Victoria - Part 2 #11 Dixit, & Excusso Montano
- Davidis Pugna & Victoria - Part 2 #12 Heu Sodales
- Davidis Pugna & Victoria - Part 2 #13 Age Terra Fortunata
- Davidis Pugna & Victoria - Part 2 #14 Victori Redimite Comas
- Davidis Pugna & Victoria - Part 2 #15 Deque Lauru
- Davidis Pugna & Victoria - Part 2 #16 Scande Regna
- Davidis Pugna & Victoria - Part 2 #17 Quae Gigante Pugnante Vidistis
An oratorio for soloists, double chorus, strings and continuo
The banning of opera performances during Lent in seventeenth- and eighteenth-century Rome meant that composers had to turn their attention to biblical subjects. However there is no sense that either composer or librettist felt at all limited in their subject matter, judging from the extraordinarily inventive oratorios that were produced during this time. Scarlatti’s work tells the dramatic story of David and Goliath. Whilst the biblical account relays the story in a few sentences, the anonymous librettist of Davidis pugna et victoria expands upon these to create an extensive libretto, with the characters fully developed and explored. Scarlatti’s musical response to the libretto demonstrates his gift for characterization, which acts as a commentary on the unfolding narrative. Performances of thrilling dynamism and instinctive style from Academia Montis Regalis make the strongest possible case for this work.
'This is Accademia Montis Regalis's third and most convincing Italian Baroque oratorio recording for Hyperion, and a fine addition to the elder Scarlatti's discography' (Gramophone)
'De Marchi knows exactly how to keep things moving, and his performers are first class … Especially memorable is David's prayer 'Tu mihi supernum aeterne rex', which provides Invernizzi with an opportunity to soar celestially above flowing musical lines, in one of Scarlatti's most inspired melodic creations, a shining oasis of calm in the midst of pugnacious full-textured activity' (International Record Review)
Recording details: March 2008; Oratorio Santa Croce, Mondovi, Italy; Produced by Mark Brown; Engineered by David Hinitt; Release date: October 2009;
'This is Accademia Montis Regalis's third and most convincing Italian Baroque oratorio recording for Hyperion, and a fine addition to the elder Scarlatti's discography' (Gramophone)
'De Marchi knows exactly how to keep things moving, and his performers are first class … Especially memorable is David's prayer 'Tu mihi supernum aeterne rex', which provides Invernizzi with an opportunity to soar celestially above flowing musical lines, in one of Scarlatti's most inspired melodic creations, a shining oasis of calm in the midst of pugnacious full-textured activity' (International Record Review)
Recording details: March 2008; Oratorio Santa Croce, Mondovi, Italy; Produced by Mark Brown; Engineered by David Hinitt; Release date: October 2009;