Utwory na płycie:

• Divertimento, Op. 45, No. 1 - I. [Prelude] Moderato energico - Cantabile - Tempo I - L’istesso tempo
• Divertimento, Op. 45, No. 1 - II. [Stroll and Storm] Allegretto - Poco sostenuto
• Divertimento, Op. 45, No. 1 - III. Andante sostenuto
• Andantino
• Sonatina, Op. 32 - I. Allegretto
• Sonatina, Op. 32 - II. Andante
• Sonatina, Op. 32 - III. [Theme with variations]. Allegro
• The Calendar of Nature, Op. 17, No. 2 - I. [Spring is Arriving] Andantino
• The Calendar of Nature, Op. 17, No. 2 -II. [The Little Bird] Allegretto
• The Calendar of Nature, Op. 17, No. 2 - III. [Spouts] Marciale
• The Calendar of Nature, Op. 17, No. 2 - IV. [Autumn] Andante doloroso
• The Calendar of Nature, Op. 17, No. 2 - V. [The Rivulet] Leggiero. Poco meno mosso
• The Calendar of Nature, Op. 17, No. 2 - VI. [Sunset] Moderato
• The Calendar of Nature, Op. 17, No. 2 - VII. [A Sparkling Drop] Moderato cantabile
• The Calendar of Nature, Op. 17, No. 2 - VIII. [Bunny] Moderato sostenuto
• The Calendar of Nature, Op. 17, No. 2 - IX. [The Wasps Feel Cold] Andante cantabile
• The Calendar of Nature, Op. 17, No. 2 - X. [Fox Hunting] Allegro molto. Poco meno moso
• Violin Sonata No. 1, Op. 27 - I. Allegro
• Violin Sonata No. 1, Op. 27 - II. Andante sostenuto
• Violin Sonata No. 1, Op. 27 - III. Allegro moderato
• Violin Sonata No. 2, Op. 51 - I. Allegro
• Violin Sonata No. 2, Op. 51 - II. Lento
• Violin Sonata No. 2, Op. 51 - III. Allegro
• Violin Sonata No. 3, Op. 57 - Sostenuto - Poco più mosso - Tempo I - Poco più mosso - Molto risoluto - Con moto - Meno mosso - Poco meno mosso - Tempo I - Sostenuto

Divertimento:
Op. 45, No,1

Andantino

Sonatina Op.32

The Calendar of Nature Op. 17, No. 2

Violin Sonata No. 1 Op. 27

Violin Sonata No. 2 Op. 51

Violin Sonata No. 3 Op. 57

Frid’s works for violin and piano allow us to trace the composer’s stylistic development over a period of some twenty-five years. Thus, whereas his earlier work is to be situated in the tradition of Shostakovich, his later compositions are stylistically much closer to the work of Edison Denisov, Sofia Gubaidulina and Alfred Schnittke. “Dark”, “autumnal”, “ruminative”, “sarcastic” – it is such notions as these that first occur to me as I listen to Frid’s music.