Kreisler:
Marche Miniature Viennoise
Chanson de Louis X111
Polichinelle/Pulcinella - Serenade
Scherzo alla Dittersdorf
La Gitana
Tambourin Chinois

Mendelssohn:
Songs without Words, May Breeze (arr. by Kreisler)
Romberg:
Deep in My Heart, Dear (arr. by Kreisler)
Cadman:
At Dawning
Debussy:
En Bateau (arr. Choisnel)
The Girl with Flaxen Hair (arr. Hartmann)
Dohnányi:
Ruralia - Molto vivace (exc)
Trad. :
Mighty lak’ a Rose (arr. by Kreisler)
Nevin:
The Rosary (arr. by Kreisler)
Dvořák:
Indian Lament (arr. by Kreisler)
Songs My Mother Taught Me (arr. by Kreisler)
Irving Berlin:
Blue S
Bizet:
Intermezzo 2nd Suite L'Arlesienne (arr. by Kreisler)
Schubert:
Ballet de Rosamunde (arr. by Kreisler)
Glazunov:
Serenade Espangole (arr. by Kreisler)
Brandl:
The Old Refrain (arr. by Kreisler)
Rimsky-Korsakov:
Hymn to the Sun (Le Coq d’Or)(arr. by Kreisler)
Falla:
Spanish Dance (La Vida Breve)(arr. by Kreisler)
Rimsky-Korsakov:
Song of India (Sadko)(arr. by Kreisler)
Poldini:
Dancing Doll (arr. by Kreisler)

Kreisler’s playing style can be characterised as intense with a strong vibrato. His expressive use of portamenti (slides) hark back to an earlier era and he was criticised early in his career by Carl Flesch.. Like Stokowski, Kreisler’s arrangements and ‘improvements’ of the classics have also been criticised, but others consider these arrangements to be small gems of perfection. Some find his own compositions overly sentimental and quaint, but his own recordings of these pieces are remarkably free from schmalz