Utwory na płycie:

• La Cathédrale engloutie
• La danse de Puck
• Minstrels
• Brouillards
• Feuilles mortes
• La Puerta del Vino
• "Les Fées sont d'exquises danseuses"
• Bruyères
• Général Lavine - eccentric
• La terrasse des audiences du clair de lune
• Danseuses de Delphes
• Ondine
• Hommage à S. Pickwick Esq. P.P.M.P.C.
• Canope
• Les tierces alternées
• Feux d'artifice
• L'Isle joyeuse
• Voiles
• Le vent dans la plaine
• Les sons et les parfums tournent dans l'air du soir
• Les collines d'Anacapri
• Des pas sur la neige
• Ce qu'a vu le vent d'Ouest
• La fille aux cheveux de lin
• La sérénade interrompue

Preludes, Book 1
Preludes, Book 2
L'Isle joyeuse

Debussy had been planning Préludes for two or three years before the first book was published in 1910. He seems to have been at work on the second book by the end of 1911 and the volume was published in 1913.

Whereas Bach and Chopin used their Preludes as something of a technical exercise, composing one for each musical key, Debussy's were free-form and full of his signature expressive indulgences. Each one has a different descriptive title that gives clues about what was going through the composer's mind when he was writing them, from Shakespearean dances to underwater cathedrals.

What Debussy did in the Préludes and earlier works with a similar inspiration was composing with sounds rather than notes. It is that, rather than their picturesque qualities, that changed history. Debussy did nothing less than liberate music from the domination by functional harmony which had prevailed for three centuries. Tonality becomes colour.

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Recorded at Westvest church, Schiedam, the Netherlands, August 30 - September 1, 2016