Wydawnictwo: Delphian
Nr katalogowy: DCD 34313
Nośnik: 1 CD
Data wydania: marzec 2024
EAN: 801918343131
Nr katalogowy: DCD 34313
Nośnik: 1 CD
Data wydania: marzec 2024
EAN: 801918343131
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): niemiecki, rosyjski
Rodzaj: pieśń
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): niemiecki, rosyjski
Rodzaj: pieśń
Schubert / Strauss / Mussorgsky: Fear No More
Delphian - DCD 34313
Kompozytor
Franz Schubert (1797-1828)
Richard Strauss (1864-1949)
Modest Mussorgsky (1839-81)
John Ireland, Gerald Finzi, Ivor Gurney, Michael Head, Peter Warlock
Franz Schubert (1797-1828)
Richard Strauss (1864-1949)
Modest Mussorgsky (1839-81)
John Ireland, Gerald Finzi, Ivor Gurney, Michael Head, Peter Warlock
Schubert:
Fahrt zum Hades, D 526
Der Schiffer, D 536
L’incanto degli occhi, D 902-1
Auf der Donau, D 553
Der Tod und das Mädchen, D 531
Strauss:
Im Spätboot
Mussorgsky:
Songs and Dances of Death
Ireland:
Sea-Fever
Finzi:
Fear no more the heat o’ the sun
Gurney:
By a Bierside
Head:
Limehouse Reach
Warlock:
Captain Stratton’s Fancy
Fahrt zum Hades, D 526
Der Schiffer, D 536
L’incanto degli occhi, D 902-1
Auf der Donau, D 553
Der Tod und das Mädchen, D 531
Strauss:
Im Spätboot
Mussorgsky:
Songs and Dances of Death
Ireland:
Sea-Fever
Finzi:
Fear no more the heat o’ the sun
Gurney:
By a Bierside
Head:
Limehouse Reach
Warlock:
Captain Stratton’s Fancy
Brindley Sherratt’s pre-eminence as an operatic bass is the result of two daring career shifts. Initially trained as a trumpeter, he gave up his first instrument as a student to become a singer. Yet even then, it was only in his mid-thirties that he left the professional security of a position in the BBC Singers to explore the world of opera. Now, the voyage of discovery continues as Sherratt turns to the intimate medium of the song recital. With the superb pianist Julius Drake as collaborator, in Fear No More Sherratt draws on all of his accumulated technical and expressive wisdom to traverse death-haunted songs by Schubert, Mussorgsky and Richard Strauss before arriving at a final group of five twentieth-century English songs in which consolation and acceptance are the keynotes.