Ach, dass du den Himmel zerrissest BR-WFB F 3/Fk 93
Wohl dem, der den Herren fürchtet BR-WFB F 19/Fk 76
O Wunder, wer kann dieses fassen BR-WFB F 2/Fk 92
Gott fähret auf mit Jauchzen BR-WFB F 10/Fk 75

When on 12 May 1764 Wilhelm Friedemann Bach tended his resignation as Music Director and Organist at Halle a brilliant musical epoch came to an inglorious end. From the time of Samuel Scheidt the position of organist of the Halle Marktkirche had always been occupied by outstanding virtuosi and composers, and with W. F. Bach the last of them quit the service.

The twenty or so surviving Halle cantatas by Wilhelm Friedemann Bach form a long-neglected body of music which is in many respects unparalleled. They represent extraordinarily individual attempts to emulate the musical achievements of his great paternal teacher and model, and to develop them further. Thus this son of Bach arrived at solutions to problems in his works which strive repeatedly towards grace and pathos, brilliance and originality, artistic diversity and natural simplicity.