Utwory na płycie:

• String Quartet No. 10 in E flat major, Op. 74: I. Poco adagio - Allegro
• String Quartet No. 10 in E flat major, Op. 74: II. Adagio ma non troppo
• String Quartet No. 10 in E flat major, Op. 74: III. Presto - Più presto quasi prestissimo - Tempo I
• String Quartet No. 10 in E flat major, Op. 74: IV. Allegretto con variazioni
• String Quartet No. 13 in B flat major, Op. 130: I. Adagio ma non troppo - Allegro
• String Quartet No. 13 in B flat major, Op. 130: II. Presto
• String Quartet No. 13 in B flat major, Op. 130: III. Andante con moto ma non troppo
• String Quartet No. 13 in B flat major, Op. 130: IV. Alla danza tedesca
• String Quartet No. 13 in B flat major, Op. 130: V. Cavatina
• String Quartet No. 13 in B flat major, Op. 130: VI. Finale

Beethoven:Quartet in E flat major, Op. 74 (‘Harp’)
Quartet in B flat major, Op. 130

After the six Op 18 quartets, the much acclaimed Chiaroscuro Quartet now turns to two masterpieces from Beethoven’s middle and late periods String Quartet No 10 in E flat major, Op 74 nicknamed ‘ because of the abundant pizzicati in its first movement, comes across as a genial and unproblematic work that was very well received immediately upon publication and has remained one of the composer’s best loved quartets String Quartet No 13 in B flat major, Op 130 is in a very different vein Belonging to the series of so called ‘ quartets composed between 1824 and 1826 it is a six movement structure modelled on an eighteenth century divertimento, adding two movements to the traditional four movement scheme an Alla danza tedesca and a Cavatina Despite its evocation of an archaic dance, the Alla danza tedesca is typically Beethovenian, with its original treatment of dynamics The Cavatina, which moved the composer to tears during its composition, is a lyrical and moving piece Beethoven had intended to conclude this imposing work with a large scale fugue, but its boldness baffled his first listeners and, at the request of his publisher, he resorted instead to a more approachable movement presenting a mixture of laconic dryness and, in places, tender lyricism.