Der Wanderer, D 493 (3rd Version)
Der Wanderer an den Mond, D 870
Fahrt zum Hades, D 526
Der Schiffer, D 536
An den Mond, D 259
Des Fischers Liebesgluck, D 933
Der Musensohn, D 764
Auf der Bruck, D 853
Totengrabers Heimweh, D 842
Im Abendrot, D 799
Abendstern, D 806
Der Wanderer, D 649
Im Fruhling, D 882
Auf der Donau, D 553
Willkommen und Abschied, D 767

SCHUBERT-LIEDER

Andre Schuen: "This time, as a point of departure, we chose the idea of “wandering”, of a “journey”, a “path”, and tried to come up with all possible variants. Three major themes emerged. On the one hand, we have Romantic “wandering” per se, which plays an important role in Schubert (as in Der Wanderer on a poem by Schlegel). Secondly, the path to the beloved as in Auf der Bruck as well as in Willkommen und Abschied. The third theme is the journey to the afterlife or to death, as in Totengräbers Heimwehand Im Abendrot. In my view, these three principle themes imbue our programme with a kind of ambivalence, reflecting a general ambivalence that is omnipresent in Schubert.