Paganini: 24 Capricci (arr. for flute)
Avie - AV 2284
Kompozytor
Niccolo Paganini (1782-1840)
Niccolo Paganini (1782-1840)
Wykonawcy
Marina Piccinini, flute
Marina Piccinini, flute
Utwory na płycie:
- 24 Capricci Op 1 - No 1 in E- Andante
- 24 Capricci Op 1 - No 2 in B minor- Moderato
- 24 Capricci Op 1 - No 3 in E minor- Sostenuto - Presto - Sostenuto
- 24 Capricci Op 1 - No 4 in C minor- Maestoso
- 24 Capricci Op 1 - No 5 in A minor- Agitato
- 24 Capricci Op 1 - No 6 in G minor- Lento
- 24 Capricci Op 1 - No 7 in A minor- Posato
- 24 Capricci Op 1 - No 8 in E flat- Maestoso
- 24 Capricci Op 1 - No 9 in E- Allegretto
- 24 Capricci Op 1 - No 10 in G minor- Vivace
- 24 Capricci Op 1 - No 11 in C- Andante - Presto - Andante
- 24 Capricci Op 1 - No 12 in A flat- Allegro
- 24 Capricci Op 1 - No 13 in E flat- Moderato
- 24 Capricci Op 1 - No 14 in E flat- Moderato
- 24 Capricci Op 1 - No 15 in E minor- Posato
- 24 Capricci Op 1 - No 16 in G minor- Presto
- 24 Capricci Op 1 - No 17 in E flat- Sostenuto - Andante
- 24 Capricci Op 1 - No 18 in C- Corrente
- 24 Capricci Op 1 - No 19 in E flat- Lento - Allegro assai
- 24 Capricci Op 1 - No 20 in D- Allegretto
- 24 Capricci Op 1 - No 21 in A- Amoroso - Presto
- 24 Capricci Op 1 - No 22 in F- Marcato
- 24 Capricci Op 1 - No 23 in E flat- Posato
- 24 Capricci Op 1 - No 24 in A minor- Quasi presto
Paganini:
24 Capricci
(arr. for flute Marina Piccinini)
24 Capricci
(arr. for flute Marina Piccinini)
Flautist Marina Piccinini relishes tradition with a twist. Having recorded J. S. Bach’s Flute Sonatas with the Brasil Guitar Duo – the first ever recording using this combination of instruments (AV 2196) – she astounds again with astonishing virtuosity in her own arrangements of Paganini’s devilishly difficult 24 Caprices. Piccinini matches Paganini’s vision and independence of spirit, explaining, “I was drawn to transcribe and record all the Caprices as a challenge and stimulus for my own development, a path towards pushing the envelope outside my personal comfort zone. What I discovered and fell in love with was a musical voice that demanded a far greater emotional expression through technical perfection of phrasing, flexibility of embouchure, depth of sound, breath control, digital dexterity and precise articulation.”
critical acclaim for Marina Piccinini
“Piccinini makes her own magic … Brilliant technical fluency and keen interpretive senses” – Baltimore Sun“
Splendidly recorded … evocative … the playing is first class.” – MusicWeb International
“a rather wonderful musician” – Flute Magazine
critical acclaim for Marina Piccinini
“Piccinini makes her own magic … Brilliant technical fluency and keen interpretive senses” – Baltimore Sun“
Splendidly recorded … evocative … the playing is first class.” – MusicWeb International
“a rather wonderful musician” – Flute Magazine