Danses, Vol. A - Valse, Op. 2 (Etioles)
Prélude, Op. 10
Gai Printemps, Impromptu, Op. 11
Pres du Ruisseau, Op. 9
Pensées d´Automne, Op. 19
Berceuse, Op. 23
Eglogue, Op. 12
Romance sans Paroles, Op. 29
Méditation, Op. 33
Carillon Mystique, Op. 31
Ballade, Op. 27
Romance sans Paroles, Op. 56
Barcarolle en si bémol majeur, Op. 41
La Cathedrale Blesee ("Die verwundete katherdrale"), Op. 107
Au Crépuscule, Op. 111
Una Flute soupire, Op. 117
Berceuse triste, Op. 118
Cloches lointaines, Op. 121

The French composer Mélanie Bonis (1858-1937) came from a bourgeois Parisian family with no musical background, which was initially extremely sceptical about her musical ambitions. Despite all family and social adversities, she was able to realise her talent at least within the bounds of what was possible at the time and left behind a considerable musical oeuvre. The immense joy that Myriam Barbaux-Cohen felt in discovering and playing is immediately transferred to the listener in this recording for ARS PRODUKTION.

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Recording: 18–20 January 2022, Kulturzentrum Immanuel. Piano: C. Bechstein Konzertflügel D282.