Utwory na płycie:

• Preludio- Prelude- Presto
• Adagio
• Per far la mano- Quick passages to makea hand. Presto
• Sarabande facile
• Fuga- A Fuga. Prestissimo
• Ayre for a Guitarre either with a base or without
• Adagio
• Burlesca- Mocking Tune. Allegro
• Preludio- A Prelude. Adagio
• Fuga. Prestissimo
• Aria- Another Ayre. Prestissimo
• Preludio. Prelude after the italian manner. Adagio
• Preludietto. Brisk
• Fuga- A quick Fuga. Prestissimo
• Arioso- A slow thing with double stops
• Sarabanda. Adagio
• Aria ò pur Rondeau. Prestissimo
• Un poco di Grave trà la Maniera Italiana e la Francese
• Aria. Allegro
• Ground after the Scotch Humour- A pretty hard ground ...
• Thro' the Wood Laddie (Francesco Barsanti)
• Aria for the Flute- Ayre. Presto
• Sarabanda- Sarabanda. Adagio
• Gavotta con divisioni
• Clout the Caldron (Francesco Barsanti)
• Preludio- A Prelude. Presto
• Fuga in fantasia. Presto
• A quick motion with a Running Bass. Prestissimo
• Ground... per far la mano- A Ground with several divisions. Allegro
• Sonata. Adagio, Adagio
• Fuga with first and second treble altogeather
• Corrente alla maniera Francese
• Aria- A slow Ayre. Adagio, Presto
• Fuga. Presto
• Aria con la sua divisione
• Gigg. Prestissimo
• Passagio à solo
• Preludio à due corde. Adagio
• Aria Amorosa. Adagio
• Allegro- A brisk thing. Prestissimo
• Ground- Bizzarie Sopra un Basso Malinconico- A pretty hard ground. Adagio

Ayres in Gamut proper
Ayres in B mi proper
Ayres in D la sol re proper
Ayres in F fa ut proper
Ayres in C fa ut proper
Ayers in E la mi proper

An Italian in 17th-century London: For London's musical life, which was informed by the middle classes, Matteis wrote diverse works incorporating influences from Italy, France, and England. The ensemble “Theatrum affectuum” presents the largely short pieces from Matteis's “Books of Ayres” as a sparkling, multifaceted cosmos: virtuoso and intimate, bawdy and elegant, intellectual and down-to-earth, rip-snorting and mellifluous...

Theatrum affectuum has chosen the later versions of the pieces with a second upper voice, performing them with violin and recorder; the continuo group consists of cello, lute, and harpsichord or organ.