Utwory na płycie:

• Sonate g-moll BWV 1030b;ohne Satzbezeichnung
• Siciliano
• Presto
• Choralvorspiel "Ich ruf zu Dir, Herr Jesu Christ" BWV 639
• Sonate Triosonate C-Dur BWV 529;Allegro
• Largo
• Allegro
• Canzona d-moll BWV 588
• Sonate Es-Dur BWV 1031;Allegro moderato
• Siciliano
• Allegro
• Choralvorspiel "Herr Gott, nun schleuß den Himmel auf" BWV 617
• Sonate e-moll nach Orgeltrio BWV 528;Adagio-Vivace
• Andante
• Un poc' allegro
• Choralvorspiel "Wenn wir in höchsten Nöthen sein" BWV 641

Bach:
Sonata in G minor BWV 1030b
Chorale Prelude "Ich ruf zu Dir Herr Jesu Christ" BWV 639
Trio Sonata in C major BWV 529
Canzona BWV 588
Sonata in E flat major BWV 1031
Chorale Prelude "Herr Gott, nun schleuß den Himmel auf" BWV 617
Trio Sonata in E minor BWV 528
Chorale Prelude "Wenn wir in höchsten Nöthen sein" BWV 641

Johann Sebastian Bach certainly became acquainted with the sound of the oboe at an early age through his father Ambrosius, who was employed as a town piper in Eisenach. The fact that Johann Sebastian recognised and appreciated the expressive power of the oboe at a young age is evident in many of his early compositions, cantatas and concertos. However, there are neither solo nor trio sonatas involving the oboe among his surviving works. This CD fills this gap with a series of chamber music arrangements. Xenia Löffler, solo oboist at the Akademie für Alte Musik Berlin, presents two flute sonatas with obbligato harpsichord on her instrument, the first of which (BWV 1030b) was probably once even written for the oboe. The two organ trio sonatas in trio arrangement with oboe, violin or viola da gamba and basso continuno elicit new musical colours from the original works. Finally, the three chorale preludes and a chaconna are also very distinctive, which - in various chamber music settings - now allow the original organ works to shine vividly in wonderful tone colours.