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Epoka muzyczna: klasycyzm, barok
Obszar (język): angielski (Szkocja), angielski
Rodzaj: pieśń
Epoka muzyczna: klasycyzm, barok
Obszar (język): angielski (Szkocja), angielski
Rodzaj: pieśń
Dowland / Burns: O Sweet Woods - Traditional Irish and Scotish airs
Atma - ACD 23012
Utwory na płycie:
- Traditional: Lumps o' Puddin - Jenny Nettles
- Traditional: Matt Highland
- John Dowland: Kemp's Jig - Mistress Winter's Jump - My Lady Hunsdon's Puffe (arr. S. Bergeron)
- Traditional: Bonny Barbry (arr. S. Dhager)
- John Dowland: Mr. Bucton's Galliard, H. 19 (arr. S. Dagher)
- John Dowland: Book of Songs, Book 3: Time stands still (arr. S. Dagher)
- Traditional: Ye banks and braes
- Alexander Munro: Sonata on Bonny Jean of Aberdeen: Allegro - Sarabanda - Corrente
- Traditional: Leezie Lindsay (arr. S. Dhager)
- Traditional: Craigieburn Wood
- John Dowland: Book of Songs, Book 3: Say, Love, if ever thou didst find (arr. S. Dagher)
- John Dowland: Book of Songs, Book 1: Away with these self-loving lads (arr. S. Bergeron)
- Traditional: The Dewy Dells of Yarrow
- Traditional: Scots wha hae wi' Wallace bled (arr. S. Dhager)
- John Dowland: Book of Songs, Book 2: O sweet woods, the delight of solitariness (arr. S. Bergeron)
- Niel Gow: Niel Gow's Lament For The Death Of His Second Wife - The Lowland of Holland
Traditional:
Lumps o' Puddin - Jenny Nettles
Traditional:
Leezie Lindsay (arr. S. Dhager)
Traditional:
Craigieburn Wood
John Dowland:
Book of Songs, Book 3:
Say, Love, if ever thou didst find (arr. S. Dagher)
John Dowland:
Book of Songs, Book 1:
Away with these self-loving lads (arr. S. Bergeron)
Traditional:
The Dewy Dells of Yarrow
Traditional:
Scots wha hae wi' Wallace bled (arr. S. Dhager)
John Dowland:
Book of Songs, Book 2:
O sweet woods, the delight of solitariness (arr. S. Bergeron)
Niel Gow:
Niel Gow's Lament For The Death Of His Second Wife - The Lowland of Holland
Traditional:
Matt Highland
John Dowland:
Kemp's Jig - Mistress Winter's Jump - My Lady Hunsdon's Puffe (arr. S. Bergeron)
Traditional:
Bonny Barbry (arr. S. Dhager)
John Dowland:
Mr. Bucton's Galliard, H. 19 (arr. S. Dagher)
John Dowland:
Book of Songs, Book 3:
Time stands still (arr. S. Dagher)
Traditional:
Ye banks and braes
Alexander Munro:
Sonata on Bonny Jean of Aberdeen
Lumps o' Puddin - Jenny Nettles
Traditional:
Leezie Lindsay (arr. S. Dhager)
Traditional:
Craigieburn Wood
John Dowland:
Book of Songs, Book 3:
Say, Love, if ever thou didst find (arr. S. Dagher)
John Dowland:
Book of Songs, Book 1:
Away with these self-loving lads (arr. S. Bergeron)
Traditional:
The Dewy Dells of Yarrow
Traditional:
Scots wha hae wi' Wallace bled (arr. S. Dhager)
John Dowland:
Book of Songs, Book 2:
O sweet woods, the delight of solitariness (arr. S. Bergeron)
Niel Gow:
Niel Gow's Lament For The Death Of His Second Wife - The Lowland of Holland
Traditional:
Matt Highland
John Dowland:
Kemp's Jig - Mistress Winter's Jump - My Lady Hunsdon's Puffe (arr. S. Bergeron)
Traditional:
Bonny Barbry (arr. S. Dhager)
John Dowland:
Mr. Bucton's Galliard, H. 19 (arr. S. Dagher)
John Dowland:
Book of Songs, Book 3:
Time stands still (arr. S. Dagher)
Traditional:
Ye banks and braes
Alexander Munro:
Sonata on Bonny Jean of Aberdeen
The Scottish and Irish airs and instrumental pieces chosen for this new sampler were selected from previous ATMA recordings by singers Meredith Hall, Matthew White, and Michael Slattery, along with ensembles La Nef and Skye Consort.
The lyrics of traditional Scottish and Irish songs from the 17th and 18th centuries are closely related to the social life of the time, and several airs tell the stories of love between lads and lassies. Tenor Michael Slattery sings John Dowland’s songs with an Irish flavor, while soprano Meredith Hall and countertenor Matthew White perform Scottish music from the era of the famous Killiecrankie battle.
Directed by Sylvain Bergeron and Matthew White respectively, the musicians of La Nef and the Skye Consort draw inspiration from both early and traditional music. They collaborate with musicians and artists from a wide range of disciplines, depending on the repertoire.
The lyrics of traditional Scottish and Irish songs from the 17th and 18th centuries are closely related to the social life of the time, and several airs tell the stories of love between lads and lassies. Tenor Michael Slattery sings John Dowland’s songs with an Irish flavor, while soprano Meredith Hall and countertenor Matthew White perform Scottish music from the era of the famous Killiecrankie battle.
Directed by Sylvain Bergeron and Matthew White respectively, the musicians of La Nef and the Skye Consort draw inspiration from both early and traditional music. They collaborate with musicians and artists from a wide range of disciplines, depending on the repertoire.