Bach JS / Mozart / Bach CPE: Fantasias
Atma - ACD 22812
Kompozytor
Carl Philipp Emanuel Bach (1714-1788)
Wolfgang Amadeus Mozart (1756-1791)
Johann Sebastian Bach (1685-1750)
Carl Philipp Emanuel Bach (1714-1788)
Wolfgang Amadeus Mozart (1756-1791)
Johann Sebastian Bach (1685-1750)
Wykonawcy
Melisande McNabney, pianoforte
Melisande McNabney, pianoforte
Bach, J S:
Chromatic Fantasia & Fugue in D minor, BWV903
Bach, C P E:
Fantasia and Fugue in C minor, Wq. 119 No. 7 (H103)
Fantasia in F-Sharp Minor, Wq. 67
Mozart:
Fantasia in C minor, K475
Four Preludes K284a (formerly Capriccio in C major K395 300g)
Fantasia in C minor, K396
Kozeluch:
Preludes or Caprices for Harpsichord or Pianoforte
Chromatic Fantasia & Fugue in D minor, BWV903
Bach, C P E:
Fantasia and Fugue in C minor, Wq. 119 No. 7 (H103)
Fantasia in F-Sharp Minor, Wq. 67
Mozart:
Fantasia in C minor, K475
Four Preludes K284a (formerly Capriccio in C major K395 300g)
Fantasia in C minor, K396
Kozeluch:
Preludes or Caprices for Harpsichord or Pianoforte
Hailed as a “very accomplished and sensitive musician,” Mélisande McNabney returns with her latest album, Fantasias, performed on fortepiano. Fantasias includes works by Bach, Mozart, Koželuch, and two improvisations by McNabney herself after C.P.E. Bach. The album was recorded on a fortepiano made in 2019 by Rodney Regier, after an instrument by the 18th-century Viennese maker Anton Walter.
The concept of fantasy has a long history in music, and keyboard instruments are its main conduits. In the 18th century, composers were not only also performers, but also improvisers who would deploy their creative spirit for the public in real time by extemporizing on the keyboard.
The concept of fantasy has a long history in music, and keyboard instruments are its main conduits. In the 18th century, composers were not only also performers, but also improvisers who would deploy their creative spirit for the public in real time by extemporizing on the keyboard.