Wydawnictwo: Atma
Nr katalogowy: ACD 22785
Nośnik: 1 CD
Data wydania: czerwiec 2020
EAN: 722056278522
Nr katalogowy: ACD 22785
Nośnik: 1 CD
Data wydania: czerwiec 2020
EAN: 722056278522
Marais: Badinages
Atma - ACD 22785
Kompozytor
Marin Marais (1656-1728)
Marin Marais (1656-1728)
Utwory na płycie:
Deuxième Suite en ré majeur no 8 - Prélude- Deuxième Suite en ré majeur no 10 - Allemande de La Familière
- Deuxième Suite en ré majeur no 11 - Boutade
- Deuxième Suite en ré majeur no 12 - Gavotte La Favorite
- Deuxième Suite en ré majeur no 13 - La Petite Brillante
- Deuxième Suite en ré majeur no 14 - Rondeau Le Gracieux
- Suite d’un goût étranger no 87 - Le Badinage
- Suite d’un goût étranger no 73 - Caprice ou Sonate
- Sixième Suite en mi mineur no 55a - La Biscayenne
- Deuxième livre no 82 - Chaconne en rondeau
- Suite d’un goût étranger no 61 - Fête champêtre
- Suite d’un goût étranger no 80 - L’Arabesque
- Première Suite en ré mineu no 1 - Prélude
- Première Suite en ré mineur no 2 - Allemande
- Première Suite en ré mineur no 3 - La Mignonne
- Première Suite en ré mineur no 4 - Caprice
- Première Suite en ré mineur no 5 - Menuet
- Première Suite en ré mineur no 6 - Gigue La Petite
- Première Suite en ré mineur no 7 - Rondeau
- Deuxième Livre no 63 - Les Voix humaines
Deuxieme Suite en ré majeur
Pieces extraites de la Suite d’un gout étranger
Sixieme Suite en mi mineur - No. 55a, La Biscayenne
Deuxieme Livre (Paris, 1701) - No. 82, Chaconne en rondeau
Suite d’un gout étranger:
No. 61, Fete champetre
No. 80, L’Arabesque
Premiere Suite en ré mineur
Deuxieme Livre (Paris, 1701) - No. 63, Les Voix humaines
Pieces extraites de la Suite d’un gout étranger
Sixieme Suite en mi mineur - No. 55a, La Biscayenne
Deuxieme Livre (Paris, 1701) - No. 82, Chaconne en rondeau
Suite d’un gout étranger:
No. 61, Fete champetre
No. 80, L’Arabesque
Premiere Suite en ré mineur
Deuxieme Livre (Paris, 1701) - No. 63, Les Voix humaines
Viola da gambist (Violoncellist) Mélisande Corriveau and harpsichordist Eric Milnes reveal the richness of the bass viol in this new recording entirely devoted to French composer Marin Marais. Though Marin Marais worked for many years for the Académie Royale de Musique in France and composed four operas, his genius is linked above all with the bass viol. With its deep and somewhat husky voice, the bass viol offered a wide palette of colors and nuances.
Critically acclaimed for her exceptional musical mastery, Mélisande Corriveau is a specialist in the interpretation of early music as a gambist, cellist and recorder virtuoso. “Mélisande Corriveau belongs to a new generation of players bringing formidable performing skills and knowledge of period practices. “ (Gramophone)
Corriveau’s discography numbers over 50 titles on many labels. Her recent duo release with harpsichordist Eric Milnes, Pardessus de viole, was the recipient of many awards including the 2016 Opus Prize, CBC’s Top 10 best classical discs of the year, and Radio-Canada’s Classical CD of the Year. Together with Eric Milnes, she co-founded and co-directs Ensemble L’Harmonie des saisons, which was awarded the Juno Prize for their debut recording Las Ciudades de oro in 2016.
Native New Yorker Eric Milnes has established an international reputation as conductor, harpsichordist and organist through his many performances fort the most distinguished festivals and presenters across North America, Europe, South America and Asia. As a director of ensembles such as L’Harmonie des saisons, Montreal Baroque, The Portland Baroque Orchestra, The New York Collegium, New York Baroque, Seattle Baroque Orchestra, Les Boréades and Les Délices he has recorded over fifty CD’s and led countless performances, radio broadcasts and television productions.
Recording: Église Saint-Augustin, Mirabel (Québec), Canada, June 2019. Instrumentarium: Barak Norman cello (London 1691), Yves Beaupré Flemish double harpsichord (Montréal 2016).
Critically acclaimed for her exceptional musical mastery, Mélisande Corriveau is a specialist in the interpretation of early music as a gambist, cellist and recorder virtuoso. “Mélisande Corriveau belongs to a new generation of players bringing formidable performing skills and knowledge of period practices. “ (Gramophone)
Corriveau’s discography numbers over 50 titles on many labels. Her recent duo release with harpsichordist Eric Milnes, Pardessus de viole, was the recipient of many awards including the 2016 Opus Prize, CBC’s Top 10 best classical discs of the year, and Radio-Canada’s Classical CD of the Year. Together with Eric Milnes, she co-founded and co-directs Ensemble L’Harmonie des saisons, which was awarded the Juno Prize for their debut recording Las Ciudades de oro in 2016.
Native New Yorker Eric Milnes has established an international reputation as conductor, harpsichordist and organist through his many performances fort the most distinguished festivals and presenters across North America, Europe, South America and Asia. As a director of ensembles such as L’Harmonie des saisons, Montreal Baroque, The Portland Baroque Orchestra, The New York Collegium, New York Baroque, Seattle Baroque Orchestra, Les Boréades and Les Délices he has recorded over fifty CD’s and led countless performances, radio broadcasts and television productions.
Recording: Église Saint-Augustin, Mirabel (Québec), Canada, June 2019. Instrumentarium: Barak Norman cello (London 1691), Yves Beaupré Flemish double harpsichord (Montréal 2016).
Zobacz także:
