Jean Henry D'Anglebert:
Suite en do majeur
Prélude en ré mineur
Tombeau de Mr de Chambonnieres
Passacaille D’Armide (Lully)

Antoine Forqueray:
Cinquieme suite en do mineur

Jean-Philippe Rameau:
Tendre amour, extrait des Indes Galantes (arr. M. McNabney for harpsichord)
Air de la Folie, extrait de Platée (arr. M. McNabney for harpsichord)
Extrait de Nouvelles Suites de pieces de clavecin - Sarabande en la majeur

Like the 17th century French harpsichordists before her, Mélisande McNabney draws on the musical universe during the time of Louis XIV and Louis XV. Inspired by song, the lute, the viola da gamba, and even the complete orchestra, harpsichordists of this era aimed to reproduce these sounds in their compositions and transcriptions. Like her predecessors, Melisande McNabney performs transcriptions for harpsichord.

The award-winning Mélisande McNabney plays keyboard music of all periods, on harpsichord, piano and fortepiano. In August 2015 she received third prize at the International Competition Musica Antiqua in Bruges, Belgium.