Wydawnictwo: Rhine Classics
Nr katalogowy: RH 022
Nośnik: 1 CD
Data wydania: listopad 2021
EAN: 4713106280226
Nr katalogowy: RH 022
Nośnik: 1 CD
Data wydania: listopad 2021
EAN: 4713106280226
Chausson / Paganini / Hahn: Henryk Szeryng – live in USA
Rhine Classics - RH 022
Wykonawcy
Henryk Szeryng, violin
Boston Symphony Orchestra / Michael Tilson Thomas
Atlanta Symphony Orchestra / Louis Lane
Henryk Szeryng, violin
Boston Symphony Orchestra / Michael Tilson Thomas
Atlanta Symphony Orchestra / Louis Lane
Ernest Chausson:
Poeme, for violin and orchestra, Op. 25
Niccolo Paganini:
Violin Concerto No. 3 in E major
Reynaldo Hahn:
Violin Concerto in D major, IRH 101 “a Jules Boucherit’”
Poeme, for violin and orchestra, Op. 25
Niccolo Paganini:
Violin Concerto No. 3 in E major
Reynaldo Hahn:
Violin Concerto in D major, IRH 101 “a Jules Boucherit’”
Henryk Szeryng (Warsaw, 22 September 1918 – Kassel, 3 March 1988)
[…] my own beguilement with Szeryng came with his performance in 1987 Atlanta with Louis Lane, of the North American premiere of the 1927 Concerto by Reynaldo Hahn, the French master of the Belle Epoch. “Ah, yes”, asserts Szeryng, “Reynaldo Hahn, the most Parisian of all Parisians, even though he was born in Caracas of German parents. There is even a street in Caracas named for him. I remember meeting him; and even though he was trained as a pianist, he had a natural sense of the violin. Some favor his Violin Sonata. The Concerto is published, but for some reason nobody plays it. The first movement for me is the best and most compact and makes a natural display piece. The second movement is based on a song from Tunis absolutely genuine and the finale sings in a typical operetta style. It starts like an extension of the second movement and has tremendous wit and charm. And, to be sure, it is a challenge.” (Gary Lemco)
Recordings: Symphony Hall, Boston, 17 January 1974 [Live] (Tr. 1-4); Symphony Hall, Atlanta, 20 November 1987 [Live] (Tr. 5-7).
[…] my own beguilement with Szeryng came with his performance in 1987 Atlanta with Louis Lane, of the North American premiere of the 1927 Concerto by Reynaldo Hahn, the French master of the Belle Epoch. “Ah, yes”, asserts Szeryng, “Reynaldo Hahn, the most Parisian of all Parisians, even though he was born in Caracas of German parents. There is even a street in Caracas named for him. I remember meeting him; and even though he was trained as a pianist, he had a natural sense of the violin. Some favor his Violin Sonata. The Concerto is published, but for some reason nobody plays it. The first movement for me is the best and most compact and makes a natural display piece. The second movement is based on a song from Tunis absolutely genuine and the finale sings in a typical operetta style. It starts like an extension of the second movement and has tremendous wit and charm. And, to be sure, it is a challenge.” (Gary Lemco)
Recordings: Symphony Hall, Boston, 17 January 1974 [Live] (Tr. 1-4); Symphony Hall, Atlanta, 20 November 1987 [Live] (Tr. 5-7).