Albeniz: The Complete Piano Music
Bis - BIS 2613
Kompozytor
Isaac Albeniz (1860-1909)
Isaac Albeniz (1860-1909)
Nagrody i rekomendacje
Utwory na płycie:
Iberia (First Book c. 1905): Evocation- Iberia (First Book c. 1905): El Puerto
- Iberia (First Book c. 1905): Fete-dieu à Séville
- 12 Piezas Caracteristicas, Op. 92: Gavota
- 12 Piezas Caracteristicas, Op. 92: Minuetto a Sylvia
- 12 Piezas Caracteristicas, Op. 92: Barcarola (Ciel sans nuages)
- 12 Piezas Caracteristicas, Op. 92: Plegaria
- 12 Piezas Caracteristicas, Op. 92: Conchita (Polka)
- 12 Piezas Caracteristicas, Op. 92: Pilar (Wals)
- 12 Piezas Caracteristicas, Op. 92: Zambra
- 12 Piezas Caracteristicas, Op. 92: Pavana
- 12 Piezas Caracteristicas, Op. 92: Polonesa
- 12 Piezas Caracteristicas, Op. 92: Mazurka
- 12 Piezas Caracteristicas, Op. 92: Staccato (Capricho)
- 12 Piezas Caracteristicas, Op. 92: Torre Bermeja (Serenata)
- Mallorca (Barcarola), Op. 202
- Iberia (2nd Book): Triana
- Iberia (2nd Book): Almeria
- Iberia (2nd Book): Rondena
- Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys): I. Do Mayor (C major)
- Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys): II. Sol Mayor (G major)
- Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys): III. Re Mayor (D major)
- Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys): Iv. La Mayor (A major)
- Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys): V. Mi Mayor (E major)
- Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys): Vi. Si Mayor (B major)
- Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys): VII. Fa Mayor (F major)
- La Vega from the suite Alhambra (February 1987 version)
- Amalia (Mazurka de salón), Op. 95
- Ricordatti (Mazurka de salón), Op. 96
- Espagne (Souvenirs, c.1897): Prélude
- Espagne (Souvenirs, c.1897): Asturies
- Iberia (Third Book): El Albaicin
- Iberia (Third Book): El Polo
- Iberia (Third Book): Lavapiés
- Zambra granadina (Danse orientale, c. 1891)
- Pavana muy fácil para manos pequenas, Op. 83
- Espana, 6 hojas de album, Op. 165: Preludio
- Espana, 6 hojas de album, Op. 165: Tango
- Espana, 6 hojas de album, Op. 165: Malaguena
- Espana, 6 hojas de album, Op. 165: Serenata
- Espana, 6 hojas de album, Op. 165: Capricho Catalán
- Espana, 6 hojas de album, Op. 165: Zortzico
- Barcarola, Op. 23
- Rapsodia Cubana, Op. 66
- Angustia (romanza sin palabras, 1880s)
- Iberia, Fourth Book: I. Málaga
- Iberia, Fourth Book: II. Jerez
- Iberia, Fourth Book: III. Eritana
- 6 pequenos valses, T 47: I. Allegretto
- 6 pequenos valses, T 47: II. Melancolico
- 6 pequenos valses, T 47: III. Allegro
- 6 pequenos valses, T 47: Iv. Allegretto
- 6 pequenos valses, T 47: V. Con brio e ritmo
- 6 pequenos valses, T 47: Vi. Allegro molto
- Sonata No.3: I. Allegretto
- Sonata No.3: II. Andante
- Sonata No.3: III. Allegro assai
- Suite ancienne No.1: I. Gavota
- Suite ancienne No.1: II. Minuetto
- Serenata árabe, T 60
- Suite Espagnole, T 61: I. Granada (Serenata)
- Suite Espagnole, T 61: II. Cataluna (Curranda)
- Suite Espagnole, T 61: II. Sevilla (Sevillanas)
- Suite Espagnole, T 61: Iv. Cádiz (Canción/saeta)
- Suite Espagnole, T 61: V. Asturias (Leyenda)
- Suite Espagnole, T 61: Vi. Aragón (Fantasia)
- Suite Espagnole, T 61: VII. Castilla (Seguidillas)
- Suite Espagnole, T 61: ViII. Cuba (Capricho/nocturno)
- Sonata No.4: I. Allegro
- Sonata No.4: II. Scherzo
- Sonata No.4: III. Minuetto
- Sonata No.4: Iv. Rondó
- Suite Ancienne No.2: I. Sarabande
- Suite Ancienne No.2: II. Chaconne
- Arbola Azpian (Zortzico), T 84
- Pavana Capricho, T 48
- Rapsodia Espanola, T 16
- Navarra, T 106
- Piano Sonata No.5: I. Allegro non troppo
- Piano Sonata No.5: II. Minuetto del gallo
- Piano Sonata No.5: III. Reverie
- Piano Sonata No.5: Iv. Allegro
- Troisième Suite ancienne: I. Minuetto
- Troisième Suite ancienne: II. Gavotta
- Azulejos, T 107
- Piano Concerto No.1: I. Allegro ma non troppo
- Piano Concerto No.1: II. Reverie et scherzo. Andante - Presto
- Piano Concerto No.1: III. Allegro
- Chants d'espagne, T 101: I. Prélude
- Chants d'espagne, T 101: II. Orientale
- Chants d'espagne, T 101: III. Sous le Palmier
- Chants d'espagne, T 101: Iv. Córdoba
- Chants d'espagne, T 101: V. Seguidillas
- 6 Mazurkas de salon, T 68: I. Isabel. Tempo energico
- 6 Mazurkas de salon, T 68: II. Casilda. Allegro
- 6 Mazurkas de salon, T 68: III. Aurora. Non troppo
- 6 Mazurkas de salon, T 68: Iv. Sofia. (Cantando)
- 6 Mazurkas de salon, T 68: V. Christa. Presto
- 6 Mazurkas de salon, T 68: Vi. Maria. (Tempo giusto)
- Deseo - estudio de concierto, T 53
- L'automne-valse, T 96
- Marcha militar, T 45
- Improvisation, T 115b
- Yvonne en visite!: I. La Révérence
- Yvonne en visite!: II. Joyeuse rencontre et quelques pénibles événements !!
- 2nde Suite espagnole: 1. Zaragoza. Allegro
- 2nde Suite espagnole: 2. Sevilla. Allegretto
- Seis Danzas espanolas, T 78: 1. (Moderato)
- Seis Danzas espanolas, T 78: 2. Allegretto
- Seis Danzas espanolas, T 78: 3. Allegretto
- Seis Danzas espanolas, T 78: 4. (Staccato)
- Seis Danzas espanolas, T 78: 5. (Rubato)
- Seis Danzas espanolas, T 78: 6. (Moderato)
- Estudio impromptu, T 50
- Les Saisons, T 100: 1. Le Printemps. Allegretto
- Les Saisons, T 100: 2. L'été. Allegro
- Les Saisons, T 100: 3. L'automne. Andantino
- Les Saisons, T 100: 4. L'hiver. Allegretto
- Mazurka de salón, T 81
- Recuerdos (Mazurka), T 80
- Improvisation (cylinder 167), T 115c
- Champagne (Carte blanche, vals de salón), T 83
- Berceuse, T 114bis
- Recuerdos de viaje, T 72: En el mar
- Recuerdos de viaje, T 72: Leyenda (barcarola)
- Recuerdos de viaje, T 72: Alborada
- Recuerdos de viaje, T 72: En la Alhambra
- Recuerdos de viaje, T 72: Puerta de Tierra (bolero)
- Recuerdos de viaje, T 72: Rumores de la Caleta (malagueña)
- Recuerdos de viaje, T 72: En la playa
- 3er Minuetto, T 74
- Rêves, T 99: Berceuse
- Rêves, T 99: Scherzino
- Rêves, T 99: Chant d'amour
- Scherzo, T 57
- Tango, T 94b
- Diva sin par (Mazurka-capricho), T 63
- Menuet, T 73
- Minuetto, T 89a
- Improvisation, T 115a
- Balbina Valverde (Polka brillante), T 64
CD 1:
Iberia (1er Cahier)
12 Piezas Caracteristicas, Op. 92
Mallorca (Barcarola), Op. 202
CD 2:
Iberia (Second Book)
Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys), Op. 65
Alhambra - La Vega (February 1897 version)
Amalia, Op. 95, Mazurka de salón
Ricordatti, Op. 96, Mazurka de salón
Espagne (Souvenirs)
CD 3:
Iberia (Third Book)
Zambra granadina (Danse orientale)
Pavana muy fácil para manos pequenas, Op. 83
Espana, 6 hojas de album, Op. 165
Barcarola, Op. 23
Rapsodia Cubana, Op. 66
Angustia (romanza sin palabras)
CD 4:
Iberia (Fourth Book) (Torres 105)
6 pequenos valses (T. 47)
Sonata No. 3 (T. 69)
Suite ancienne No. 1 (T. 62)
Serenata árabe (T. 60)
CD 5:
Suite Espagnole (T. 61)
Sonata No. 4 (T. 75)
Suite Ancienne No. 2 (T. 66)
Arbola Azpian (Zortzico) (T. 84)
Pavana Capricho (T. 48)
CD 6:
Rapsodia Espanola, T 16
Navarra, T 106
Piano Sonata No. 5, T 85
Troisieme Suite ancienne, T 76
Azulejos, T 107
Piano Concerto No. 1, Torres 17, ‘Concierto Fantástico’
CD 7:
Chants d’Espagne, T 101
6 Mazurkas de salon, T 68
Deseo - estudio de concierto, T 53
L’Automne-Valse, T 96
Marcha militar, T 45
Improvisation, T 115B
Yvonne en visite!, T 104
CD 8:
Seconde Suite espagnole, T 90
Seis Danzas espanolas, T 78
Estudio impromptu, T 50
Les Saisons, T 100
Mazurka de salón, T 81
Recuerdos (Mazurka), T 80
Improvisation, T 115 C, cylinder 167 (Tempo di minuetto)
Champagne (Carte blanche), vals de salón, T 83
Berceuse, T 114 bis
CD 9:
Recuerdos de viaje, T 72
3er Minuetto, T 74
Reves, T 99
Scherzo, T 57 (for the unfinished Piano Sonata No. 1)
Tango, T94B
Diva sin par (Mazurka-capricho), T 63
Menuet, T 73
Minuetto, T 89A (for the unfinished Piano Sonata No. 7)
Improvisation, T 115 A, cylinder 169
Balbina Valverde (Polka brillante), T 64
Iberia (1er Cahier)
12 Piezas Caracteristicas, Op. 92
Mallorca (Barcarola), Op. 202
CD 2:
Iberia (Second Book)
Siete estudios en los tonos naturales mayores (Seven Studies in the Natural Major Keys), Op. 65
Alhambra - La Vega (February 1897 version)
Amalia, Op. 95, Mazurka de salón
Ricordatti, Op. 96, Mazurka de salón
Espagne (Souvenirs)
CD 3:
Iberia (Third Book)
Zambra granadina (Danse orientale)
Pavana muy fácil para manos pequenas, Op. 83
Espana, 6 hojas de album, Op. 165
Barcarola, Op. 23
Rapsodia Cubana, Op. 66
Angustia (romanza sin palabras)
CD 4:
Iberia (Fourth Book) (Torres 105)
6 pequenos valses (T. 47)
Sonata No. 3 (T. 69)
Suite ancienne No. 1 (T. 62)
Serenata árabe (T. 60)
CD 5:
Suite Espagnole (T. 61)
Sonata No. 4 (T. 75)
Suite Ancienne No. 2 (T. 66)
Arbola Azpian (Zortzico) (T. 84)
Pavana Capricho (T. 48)
CD 6:
Rapsodia Espanola, T 16
Navarra, T 106
Piano Sonata No. 5, T 85
Troisieme Suite ancienne, T 76
Azulejos, T 107
Piano Concerto No. 1, Torres 17, ‘Concierto Fantástico’
CD 7:
Chants d’Espagne, T 101
6 Mazurkas de salon, T 68
Deseo - estudio de concierto, T 53
L’Automne-Valse, T 96
Marcha militar, T 45
Improvisation, T 115B
Yvonne en visite!, T 104
CD 8:
Seconde Suite espagnole, T 90
Seis Danzas espanolas, T 78
Estudio impromptu, T 50
Les Saisons, T 100
Mazurka de salón, T 81
Recuerdos (Mazurka), T 80
Improvisation, T 115 C, cylinder 167 (Tempo di minuetto)
Champagne (Carte blanche), vals de salón, T 83
Berceuse, T 114 bis
CD 9:
Recuerdos de viaje, T 72
3er Minuetto, T 74
Reves, T 99
Scherzo, T 57 (for the unfinished Piano Sonata No. 1)
Tango, T94B
Diva sin par (Mazurka-capricho), T 63
Menuet, T 73
Minuetto, T 89A (for the unfinished Piano Sonata No. 7)
Improvisation, T 115 A, cylinder 169
Balbina Valverde (Polka brillante), T 64
The piano works by Isaac Albéniz range from indisputable masterpieces to ravishing salon music, the composer painting with bright Spanish colours as well as the hues of Classicism and Romanticism. On nine discs, originally released between 1998 and 2017 and gathered here, Miguel Baselga guides listeners through the music of his compatriot, earning acclaim from reviewers worldwide: ‘pianism of the highest order’ (MusicWeb-International); ‘berauschend agil und rhytmisch spannungsgeladen’ (PIANONews); ‘un pianista elegante y refinado’ (CD Compact).
Composed between December 1905 and January 1908, only a year before the death of Albéniz, Iberia is the crowning achievement of the composer’s genius. Marking a high point of the post-romantic piano literature, this collection of ‘12 nouvelles impressions’ was to serve as an endless source of inspiration for other composers throughout the twentieth century, admired by Debussy and Messiaen, who called it 'the marvel of the piano'. Baselga’s exhaustive series places Iberia in its proper context, and with the assistance of Albéniz scholar Jacinto Torres, he has been able to access original editions and scores, including rarities such as the Marcha militar by a nine-year-old Albéniz and the composer's two scores for piano and orchestra. We are also given the opportunity to hear three improvisations, transcribed from a phonograph recording made by the composer in 1903.
Recordings: Danderyd Grammar School (Danderyds Gymnasium), Sweden, February 1998 (CD 1); Auditorio y Palacio de Congesos, Zaragoza, Spain, July 1999 (CD 2), 6th 8th December 2000 (CD 3), March 2002 (CD 4), April 2004 (CD 5). Grand piano: Steinway D.
Composed between December 1905 and January 1908, only a year before the death of Albéniz, Iberia is the crowning achievement of the composer’s genius. Marking a high point of the post-romantic piano literature, this collection of ‘12 nouvelles impressions’ was to serve as an endless source of inspiration for other composers throughout the twentieth century, admired by Debussy and Messiaen, who called it 'the marvel of the piano'. Baselga’s exhaustive series places Iberia in its proper context, and with the assistance of Albéniz scholar Jacinto Torres, he has been able to access original editions and scores, including rarities such as the Marcha militar by a nine-year-old Albéniz and the composer's two scores for piano and orchestra. We are also given the opportunity to hear three improvisations, transcribed from a phonograph recording made by the composer in 1903.
Recordings: Danderyd Grammar School (Danderyds Gymnasium), Sweden, February 1998 (CD 1); Auditorio y Palacio de Congesos, Zaragoza, Spain, July 1999 (CD 2), 6th 8th December 2000 (CD 3), March 2002 (CD 4), April 2004 (CD 5). Grand piano: Steinway D.
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