Wydawnictwo: Wergo
Nr katalogowy: WER 73652
Nośnik: 2 CD
Data wydania: październik 2017
EAN: 4010228736526
Nr katalogowy: WER 73652
Nośnik: 2 CD
Data wydania: październik 2017
EAN: 4010228736526
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): francuski
Instrumenty: fortepian
Epoka muzyczna: współczesna
Obszar (język): francuski
Instrumenty: fortepian
Pauset: Canons
Wergo - WER 73652
Kompozytor
Brice Pauset (ur. 1965)
Brice Pauset (ur. 1965)
Wykonawcy
Nicolas Hodges, piano
Benjamin Levy, live electronics
Nicolas Hodges, piano
Benjamin Levy, live electronics
Nagrody i rekomendacje
Utwory na płycie:
1 Kanons für Klavier Nr. 1-3 (1989) - Nr. 1 Kanon Nr. 1.mp3- 2 Kanons für Klavier Nr. 1-3 (1989) - Nr. 2 Kanon Nr. 2.mp3
- 3 Kanons für Klavier Nr. 1-3 (1989) - Nr. 3 Kanon Nr. 3.mp3
- 4 Kanons für Klavier Nr. 1-5 (1990-2002) - Nr. 1 Kanon Nr. 1.mp3
- 5 Kanons für Klavier Nr. 1-5 (1990-2002) - Nr. 2 Kanon Nr. 2.mp3
- 6 Kanons für Klavier Nr. 1-5 (1990-2002) - Nr. 3 Kanon Nr. 3.mp3
- 7 Kanons für Klavier Nr. 1-5 (1990-2002) - Nr. 4 Kanon Nr. 4.mp3
- 8 Kanons für Klavier Nr. 1-5 (1990-2002) - Nr. 5 Kanon Nr. 5.mp3
- 9 Kanons für Klavier Nr. 1-7 (2010) - Nr. 1 Kanon Nr. 1.mp3
- 10 Kanons für Klavier Nr. 1-7 (2010) - Nr. 2 Kanon Nr. 2.mp3
- 11 Kanons für Klavier Nr. 1-7 (2010) - Nr. 3 Kanon Nr. 3.mp3
- 12 Kanons für Klavier Nr. 1-7 (2010) - Nr. 4 Kanon Nr. 4.mp3
- 13 Kanons für Klavier Nr. 1-7 (2010) - Nr. 5 Kanon Nr. 5.mp3
- 14 Kanons für Klavier Nr. 1-7 (2010) - Nr. 6 Kanon Nr. 6.mp3
- 15 Kanons für Klavier Nr. 1-7 (2010) - Nr. 7 Kanon Nr. 7.mp3
- 16 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 1 Kanon Nr. 1.mp3
- 17 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 2 Kanon Nr. 2.mp3
- 18 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 3 Kanon Nr. 3.mp3
- 19 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 4 Kanon Nr. 4.mp3
- 20 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 5 Kanon Nr. 5.mp3
- 21 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 6 Kanon Nr. 6.mp3
- 22 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 7 Kanon Nr. 7.mp3
- 23 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 8 Kanon Nr. 8.mp3
- 24 Kanons für Klavier Nr. 1-9 (2004-2010) - Nr. 9 Kanon Nr. 9.mp3
- 25 Perspectivæ Sintagma I (Kanons für Klavier und Live-Elektronik) (1997).mp3
Trois canons
cinq canons
sept canons
neuf canons
Perspectivae sintagma I (canons)
cinq canons
sept canons
neuf canons
Perspectivae sintagma I (canons)
It took the French composer Brice Pauset more than two decades to finish this monumental cycle that comprises 24 canons for piano. On this CD, the cycle is presented in its entirety for the first time by the British pianist Nicolas Hodges.
It is a mysterious quality of the canon that captivates Pauset: here, technique can change into an aesthetic experience. Masters of vocal polyphony from the Renaissance like Johannes Ockeghem showed how it is done – and Pauset takes up this musical mystery in his multi-part cycle of canons for piano.
During the long composition process, Pauset's split relation to the piano undergoes a change. In Neuf Canons he brings the instrument to its limits, turning the keyboard virtuoso Nicolas Hodges into a pedal virtuoso.
The historical canon technique is most radically applied in Perspectivae Sintagma I for piano and electronics. In this work, Pauset adjusts interpretation and musical text to each other live and then reincludes the differences in the composition.
It is a mysterious quality of the canon that captivates Pauset: here, technique can change into an aesthetic experience. Masters of vocal polyphony from the Renaissance like Johannes Ockeghem showed how it is done – and Pauset takes up this musical mystery in his multi-part cycle of canons for piano.
During the long composition process, Pauset's split relation to the piano undergoes a change. In Neuf Canons he brings the instrument to its limits, turning the keyboard virtuoso Nicolas Hodges into a pedal virtuoso.
The historical canon technique is most radically applied in Perspectivae Sintagma I for piano and electronics. In this work, Pauset adjusts interpretation and musical text to each other live and then reincludes the differences in the composition.
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