CD 1:
Andante B Flat Major, K. 266 (L. 48)
Allegro B Flat Major, K. 267 (L. 434)
Allegro A Major, K. 268 (L. 41)
Allegro A Major, K. 269 (L. 307)
C Major, K. 270 (L. 459)
Vivo C Major, K. 271 (L. 155)
Allegro B Flat Major, K. 272 (L. 145)
Vivo - Moderato B Flat Major, K. 273 (L. 398)
Andante F Major, K. 274 (L. 297)
Allegro F Major, K. 275 (L. 328)
Allegro F Major, K. 276 (L. S 20)
Cantabile andantino D Major, K. 277 (L. 183)
Con velocita D Major, K. 278 (L. S 15)
Andante A Major, K. 279 (L. 468)
Allegro A Major, K. 280 (L. 237)

CD 2:
Andante D Major, K. 281 (L. 56)
Allegro D Major, K. 282 (L. 484)
Andante Allegro G Major, K. 283 (L. 318)
Allegro G Major, K. 284 (L. 90)
Allegro A Major, K. 285 (L. 91)
Allegro A Major, K. 286 (L. 394)
Andante Allegro D Major, K. 287 (L. S 9)
Allegro D Major, K. 288 (L. 57)
Allegro G Major, K. 289 (L. 78)
Allegro G Major, K. 290 (L. 85)
Andante E minor, K. 291 (L. 61)
Allegro E minor, K. 292 (L. 24)
Allegro B minor, K. 293 (L. S 44)
Andante D minor, K. 294 (L. 67)
Allegro D minor, K. 295 (L. 270)

Sometimes time flies by. For example, when something stimulating happens all the time, as here with the new volume No. 8 of the complete recording of all 555 sonatas by Domenico Scarlatti. And not because of the two organ sonatas, which are actually played here on an organ, nor because of the acoustics at the new recording venue Marienmünster.

Once again, Christoph Ullrich is exclusively responsible for these stimuli, and he knows how to shape these gems, which seem to have been written for him, with such never-ending imagination, exuberant ideas, nuances that always seem spontaneous but are nevertheless carefully woven, that two hours go by like two shooting stars.