Wydawnictwo: Signum Classics
Nr katalogowy: SIGCD 390
Nośnik: 1 CD
Data wydania: październik 2014
EAN: 635212039021
Nr katalogowy: SIGCD 390
Nośnik: 1 CD
Data wydania: październik 2014
EAN: 635212039021
Mozart / Nielsen: Clarinet Concertos
Signum Classics - SIGCD 390
Wykonawcy
Julian Bliss, clarinet
Royal Northern Sinfonia
Julian Bliss, clarinet
Royal Northern Sinfonia
Utwory na płycie:
- Clarinet Concerto: I. Allegretto un poco
- Clarinet Concerto: II. Poco adagio
- Clarinet Concerto: III. Allegro un poco
- Clarinet Concerto: IV. Allegro vivace
- Non che non sei capace, K. 419 (arr. Julian Bliss)
- Der Liebe himmlisches Gefühl, K. 119 (arr. Julian Bliss)
- Clarinet Concerto in A (HOF: 8): I. Allegro
- Clarinet Concerto in A (HOF: 8): II. Adagio
- Clarinet Concerto in A (HOF: 8): III. Rondo: Allegro
Two masterpieces for the clarinet, effortlessly played by a young British artist.
The brilliant Julian Bliss continues to demonstrate his considerable talent by tackling the two greatest works in the repertoire for his instrument - Mozart's evergreen Clarinet Concerto and the concerto by Carl Nielsen. He also presents his own clarinet arrangements of two Mozart arias, 'Der Liebe himmlisches Gefühl' and 'Non che non sei capace'.
All the works collected here showcase the attractive qualities of Bliss's playing, rich and fruity in the showier passages, effortless in the demanding runs made by Nielsen in particular and, at the sublime moments, appropriately mellifluous and sonorous.
A youthful addition to the many excellent versions of the Mozart already available, and a fine introduction to the Nielsen for those who are not familiar with it.
The brilliant Julian Bliss continues to demonstrate his considerable talent by tackling the two greatest works in the repertoire for his instrument - Mozart's evergreen Clarinet Concerto and the concerto by Carl Nielsen. He also presents his own clarinet arrangements of two Mozart arias, 'Der Liebe himmlisches Gefühl' and 'Non che non sei capace'.
All the works collected here showcase the attractive qualities of Bliss's playing, rich and fruity in the showier passages, effortless in the demanding runs made by Nielsen in particular and, at the sublime moments, appropriately mellifluous and sonorous.
A youthful addition to the many excellent versions of the Mozart already available, and a fine introduction to the Nielsen for those who are not familiar with it.