Stravinsky:
1. Pétrouchka:
First Tableau, The Shrove-Tide Fair
2. Pétrouchka:
First Tableau, Russian Dance
3. Pétrouchka:
Second Tableau, Petrouchka’s Cell
4. Pétrouchka:
Third Tableau, The Moor’s Cell
5. Pétrouchka:
Fourth Tableau, The Shrove-Tide Fair (Evening)

Brahms:
6. 16 Waltzes, Op. 39 - I. B Major (Tempo Giusto)
7. 16 Waltzes, Op. 39 - II. E Major
8. 16 Waltzes, Op. 39 - III. G-Sharp Minor
9. 16 Waltzes, Op. 39 - IV. E Minor (Poco Sostenuto)
10. 16 Waltzes, Op. 39 - V. E Major
11. 16 Waltzes, Op. 39 - VI. C-Sharp Major (Vivace)
12. 16 Waltzes, Op. 39 - VII. C-Sharp Minor (Poco Piu` Andante)
13. 16 Waltzes, Op. 39 - VIII. B-Flat Major
14. 16 Waltzes, Op. 39 - IX. D Minor
15. 16 Waltzes, Op. 39 - X. G Major
16. 16 Waltzes, Op. 39 - XI. B Minor
17. 16 Waltzes, Op. 39 - XII. E Major
18. 16 Waltzes, Op. 39 - XIII. C Major
19. 16 Waltzes, Op. 39 - XIV. A Minor
20. 16 Waltzes, Op. 39 - XV. A Major
21. 16 Waltzes, Op. 39 - XVI. D Minor

Piazzola:
22. Lo Que Vendrá
23. Milonga Del Ángel
24. Tango No.2
25. Libertango

The real-life marriage of two great concert pianists, Alessio Bax and Lucille Chung, has led to the formation of one of the leading piano duos of their generation. To cite the UK magazine Music and Arts, 'Theirs is a marriage of wondrous colours and dextrous aplomb, subtly balanced to make a musical performance sound as one'. Stavinsky's Petrouchka was originally arranged for four-hands by the composer as a rehearsal score for the Ballets Russes' production of the same name, and in this version it brings Stravinsky's melodic, rhythmic and harmonic inventiveness very much to the fore. Brahms's Sixteen Waltzes Op 39 are an enchanting collection of Romantic miniatures that simultaneously nod to the musical lineage of the composer's home in Vienna while asserting his own flair and individuality. The final four tangos by Piazzolla are a full of Argentine flair and vigour, and were arranged especially for this recording by Bax and Chung.