Don't be that way/Stompin' at the Savoy - Benny Goodman, Edgar Sampson
Caprice No.24 - Nicolo Paganini, Original arr. Lloyd 'Skip' Martin
Up a Lazy River - Hoagy Carmichael, Sidney Arodin
The World is Waiting for the Sunrise - Ernest Seitz, Eugene Lockhart
Moonglow - Eddie De Lange, Will Hudson, Irving Mills
Lady be Good (Rifftide) - George & Ira Gershwin
Seven come Eleven - Benny Goodman, Charlie Christian
Here's that Rainy Day - Jimmy Van Heusen, Johnny Burke
Sheik of Araby - Ted Synder, Harry B. Smith, Francis Wheeler
Goodbye - Gordon Jenkins
Avalon - Al Jolson, B.G. De Sylva, Vincent Rose
Soft winds - Benny Goodman, Fred Royal
After you've gone - Henry Creamer, Turner Layton

Recreating the exciting sound of swing from the 30’s and 40’s, Julian Bliss’s dynamic virtuosity leads his sextet through some of the great tunes of the swing era, staying true to the authentic feel but naturally with a modern twist.



Julian Bliss says “I decided in the summer of 2010 that I wanted to start my own Jazz group. I enlisted the help of Neal Thornton (Piano) to help make this dream a reality. We spent months listening to every version of each tune we could find, and putting together our own versions while still being mindful of the light and fun feel Goodman captured all those years ago. We then had the task of putting the rest of the band together. We were specifically looking for musicians that had a great interest in the Swing era, and I must say we couldn’t have picked a better set of players”

Benny Rides Again! This tribute to the King of Swing is an absolute gem recapturing perfectly the feel of those distant days. Based loosely on the Goodman Sextet although augmented, by the addition of Martin Shaw on trumpet, to a Septet to incorporate some of the big band material - the opening mix of Don't Be That Way and Stomping at the Savoy is particularly, and effectively, well done.

Bliss, better known as a classical clarinettist, turns his attention to the small group works of Benny Goodman just as BG himself made forays into the classical repertoire.

With a hand-picked team, the spirit of the thirties and forties exudes from each track without loss of individuality.

The leader, a child prodigy at 5 and now 23, displays an innate affinity to the music producing a near perfect clarinet sound and, despite his classical upbringing, no lack of swing. Jim Hart once again proves his ability to handle any musical situation although he has had previous experience of the Goodman canon with Alan Barnes. Colin Oxley, not unknown in this neck of the woods, slots easily into the Charlie Christian role with impressive soloing and comping whilst Martin Shaw plays himself not attempting to go down the brash Harry James/Ziggy Elman path. His poignant duet with Bliss on Goodbye conveys the sadness of the Gordon Jenkins' tune.

Neal and Tim Thornton (are they related?*) on piano and bass, alongside the ubiquitous Matt Skelton, fill out the rhythm section making this a very tight ship as indeed all Goodman units were.

The King is dead - Long live the King!

A worthy tribute.

*Neal and Tim Thornton are father and son and this is their first record together.