Utwory na płycie:

• Toccata, Adagio and Fugue in C major, BWV 564: Toccata
• Vater unser in Himmelreich, BWV 682
• Prelude and Fugue in G major, BWV 541: Prelude (Vivace)
• Prelude and Fugue in G major, BWV 541: Fugue
• O Mensch, bewein' dein' Sünde groß, BWV 622
• Passacaglia and Fugue in C minor, BWV 582: Passacaglia
• Passacaglia and Fugue in C minor, BWV 582: Fugue
• Toccata, Adagio and Fugue in C major, BWV 564: Adagio
• Toccata, Adagio and Fugue in C major, BWV 564: Fugue
• Concerto in A minor (after Antonio Vivaldi), BWV 593: I Allegro
• Concerto in A minor (after Antonio Vivaldi), BWV 593: II. Adagio
• Concerto in A minor (after Antonio Vivaldi), BWV 593: III. Allegro
• Schmücke dich, o liebe Seele, BWV 654
• Prelude and Fugue in B minor, BWV 544: Prelude
• Prelude and Fugue in B minor, BWV 544: Fugue

Toccata, Adagio and Fugue in C major, BWV 564
Concerto in A minor (after Antonio Vivaldi), BWV 593
Prelude and Fugue in B minor, BWV 544
Vater unser in Himmelreich, BWV 682 (from Clavierubüng III)
Prelude and Fugue in G major, BWV 541
O Mensch, bewein’ dein’ Sünde groß, BWV 622 (from Orgelbüchlein)
Passacaglia and Fugue in C minor, BWV 582

David Goode performs a grand selection of some of Bach’s best organ works – including the famed Passacaglia and Fugue in C minor – providing modern listeners with a unique chance to hear Bach’s music as congregations of that period may have done.

The Gottfried Silbermann organ of Freiberg cathedral is one of a handful of such 18th-century instruments (built during Bach’s lifetime) to have remained largely unmodified to this day. Bach’s work as an organ inspector shows that he tested and inaugurated a number of Silbermann’s organs in Germany and, although there is no record that he played this instrument, its sound is undoubtedly one that Bach would have recognised and composed for.