Utwory na płycie:

• Sonata in G major, BWV 1027: Adagio
• Sonata in D major, BWV 1028: Allegro
• Prelude & Fugue in D major, BWV 850: Prelude
• Prelude & Fugue in D major, BWV 850: Fugue
• Sonata in G minor, BWV 1029: Vivace
• Sonata in G minor, BWV 1029: Adagio
• Sonata in G minor, BWV 1029: Allegro
• Prelude & Fugue in G minor BWV 861: Prelude
• Prelude & Fugue in G minor BWV 861: Fugue
• Sonata in G major, BWV 1027: Allegro ma non tanto
• Sonata in G major, BWV 1027: Andante
• Sonata in G major, BWV 1027: Allegro moderato
• Prelude & Fugue in G major, BWV 860: Prelude
• Prelude & Fugue in G major, BWV 860: Fugue
• Sonata in D major, BWV 1028: (Adagio)
• Sonata in D major, BWV 1028: (Allegro)
• Sonata in D major, BWV 1028: Andante

Sonata in G major, BWV 1027
Prelude and Fugue in G major, BWV 860
Sonata in D major, BWV 1028
Prelude and Fugue in D major, BWV 850
Sonata in G minor, BWV 1029
Prelude and Fugue in G minor, BWV 861

It is not difficult to discern many of the elements that render Bach’s three sonatas for viola da gamba and harpsichord so remarkable by the standards of their age: a mixing of virtually every conceivable genre, form, style, medium and gesture of the late German Baroque; a forging of connections that had not hitherto been made; a penetrating insight into the multi-dimensional potentialities of each motive, theme and polyphonic complex.

Composing for the viol in this way was by, the early eighteenth century, archaic, yet what has made J.S.Bach a summit for many is his apparent ability to transcend historical contingency, somehow to stop the clock of outward progress and to rearrange and recreate the world as he knew it.

On this disc we hear the three sonatas for the Viola da Gamba and three Preludes and Fugues from the Well Tempered Clavier.



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