Wydawnictwo: Raumklang
Nr katalogowy: RK 3503
Nośnik: 2 CD
Data wydania: lipiec 2016
EAN: 4018767035032
Nr katalogowy: RK 3503
Nośnik: 2 CD
Data wydania: lipiec 2016
EAN: 4018767035032
Froberger: Frobergers Reisen
Raumklang - RK 3503
Kompozytor
Johann Jacob Froberger (1616-67)
Luzzasco Luzzaschi, Giovanni Gabrieli, Matthias Weckmann, Alessandro Poglietti, Louis Couperin, J. Steigleder, W. Ebner, Johann Kerll, Girolamo Frescobaldi
Johann Jacob Froberger (1616-67)
Luzzasco Luzzaschi, Giovanni Gabrieli, Matthias Weckmann, Alessandro Poglietti, Louis Couperin, J. Steigleder, W. Ebner, Johann Kerll, Girolamo Frescobaldi
Wykonawcy
Magdalena Hasibeder, organ (Wöckherl-Orgel Wien 1642), cembalo
Magdalena Hasibeder, organ (Wöckherl-Orgel Wien 1642), cembalo
Nagrody i rekomendacje
Utwory na płycie:
Luzzasco Luzzaschi - Toccata- Giovanni Gabrieli - Canzona
- Matthias Weckmann - Toccata dal 12 Tuono
- Matthias Weckmann - Canzon
- Alessandro Poglietti - Toccata fatta sopra L'Assedio
- Johann Jacob Froberger - Lamento FbWV 612/1 (Partita VI)
- Johann Jacob Froberger - Gigue FbWV 612/2
- Johann Jacob Froberger - Courant FbWV 612/3
- Johann Jacob Froberger - Sarabande FbWV 612/4
- Johann Jacob Froberger - Toccata FbWV 101
- Johann Jacob Froberger - Tombeau FbWV 632
- Louis Couperin - Tombeau de Mr Blancrocher
- Louis Couperin - Prelude a l'imitation de Mr Froberger
- Johann Jacob Froberger - Plainte FbWV 630/1
- Johann Jacob Froberger - Allemande FbWV 627 /1
- Johann Jacob Froberger - Toccata FbWV 102
- Johann Jacob Froberger - Toccata FbWV 112
- Johann Ulrich Steigleder - Ricercar I in D
- Wolfgang Ebner - Toccata tertij toni
- Alessandro Poglietti - Capriccio über das Henner- und Hannergeschrey
- Johann Jacob Froberger - Capriccio FbWV 506
- Johann Jacob Froberger - Ricercar FbWV 404
- Johann Caspar Kerll - Toccata VII
- Johann Caspar Kerll - Capriccio sopra il Cucu
- Girolamo Frescobaldi - Toccata V sopra i pedali
- Johann Jacob Froberger - Fantasia sopra Ut Re Mi Fa Sol La FbWV 201
- Johann Jacob Froberger Toccata FbWV 130
- Johann Jacob Froberger - Canzona FbWV 302
- Girolamo Frescobaldi Kyrie - Christe - Kyrie (Fiori musicali)
- Girolamo Frescobaldi - Canzon (Fiori musicali)
- Girolamo Frescobaldi -Toccata per le levatione (Fiori musicali)
- Johann Jacob Froberger - Toccata FbWV 111
- Michelangelo Rossi - Toccata VII
Johann Jacob Froberger (1616-1667) jest jednym z najwybitniejszych kompozytorów muzyki na instrumenty klawiszowe przed Bachem. Wiele podróżował, kształcił się m.in. u Frescobaldiego w Rzymie. Na płycie spotkamy nie tylko utwory Frobergera. To także podróż po muzyce tych, którzy ukształtowali zarówno fakturę muzyki klawiszowej, jak i styl Frobergera. Uczta klawiszowa z utworami m.in. Gabrieliego, Weckmanna, Couperina, Rossiego, Frescobaldiego i - oczywiście - Frobergera. Partity, toccaty, capriccia, ricercary i różne tańce wykonywane na klawesynie (CD 1) i organach (CD 2). I co należy dobitnie podkreślić - wykonywane na instrumentach historycznych z XVII wieku, a nie na kopiach, co zostało skrupulatnie opisane w książeczce dołączonej do płyty. To dostarcza płycie dodatkowych, wyjątkowych zalet. A wykonawczyni Magdalena Hasibeder konsekwentnie wykorzystała te sprzyjające okoliczności. Znakomity repertuar, historyczne instrumenty, precyzja i intuicja wykonawcza tworzą znakomitą całość. Dla znawców i miłośników barokowej muzyki klawiszowej to prawdziwa rozkosz. Koniecznie!
Johann Jacob Froberger numbers among the most well- known and yet most enigmatic musicians of the seventeenth century. He was born in Stuttgart in 1616 and died in 1667 in the service of the widowed Duchess Sybilla from the Mömpelgard collateral line of the House of Württemberg. His oeuvre displays all the important forms, compositional concepts, and expressive ideals of his epoch. He exerts a special fascination today, above all since the concept of “Europe” is once again being put to the test. There are just as many unifying factors here as there are local and national particularities, things that Froberger was able to discover on his many journeys and through his network of contacts. His works were not limited to a specific – from today’s view – authentic instrument: he made use of all the keyboard instruments common at that time. Magdalena Hasibeder plays Vienna’s oldest playable organ, it was built in 1642/43 by Johann Wöckherl and erected in the choir of the Franziskanerkirche. The harpsichord is a French two-manual instrument built ca. 1680 and attributed to Claude Labréche. Magdalena Hasibeder was born in Linz, Austria, where she received her musical training at the Music High School and at the Anton Bruckner Private University for Music, Drama, and Dance. Further studies in organ, harpsichord, early music, and instrumental pedagogy led her to the Vienna University of Music and the Schola Cantorum Basiliensis. Among her teachers were Wolfgang Glüxam, Andrea Marcon, Michael Radulescu, Augusta Campagne, and Rudolf Lutz. Since 1997 Magdalena Hasibeder has appeared in organ and harpsichord concerts at festivals and in concert series throughout Europe. From the very beginning of her career, she has been greatly involved in ensemble activity. As a sought-after continuo player and soloist, she has performed in numerous renowned ensembles, including La Cetra Barockorchester, the Venice Baroque Orchestra, the Bruckner Orchester Linz, Il Concerto Viennese, the Bach Consort Wien, and Concerto Stella Matutina.. She was a prizewinner at several international organ competitions, including the Paul Hofhaimer Competition Innsbruck, the Organ Competition in Herford, Germany, and the Georg Muffat Competition in Schlägl, Austria.
Johann Jacob Froberger numbers among the most well- known and yet most enigmatic musicians of the seventeenth century. He was born in Stuttgart in 1616 and died in 1667 in the service of the widowed Duchess Sybilla from the Mömpelgard collateral line of the House of Württemberg. His oeuvre displays all the important forms, compositional concepts, and expressive ideals of his epoch. He exerts a special fascination today, above all since the concept of “Europe” is once again being put to the test. There are just as many unifying factors here as there are local and national particularities, things that Froberger was able to discover on his many journeys and through his network of contacts. His works were not limited to a specific – from today’s view – authentic instrument: he made use of all the keyboard instruments common at that time. Magdalena Hasibeder plays Vienna’s oldest playable organ, it was built in 1642/43 by Johann Wöckherl and erected in the choir of the Franziskanerkirche. The harpsichord is a French two-manual instrument built ca. 1680 and attributed to Claude Labréche. Magdalena Hasibeder was born in Linz, Austria, where she received her musical training at the Music High School and at the Anton Bruckner Private University for Music, Drama, and Dance. Further studies in organ, harpsichord, early music, and instrumental pedagogy led her to the Vienna University of Music and the Schola Cantorum Basiliensis. Among her teachers were Wolfgang Glüxam, Andrea Marcon, Michael Radulescu, Augusta Campagne, and Rudolf Lutz. Since 1997 Magdalena Hasibeder has appeared in organ and harpsichord concerts at festivals and in concert series throughout Europe. From the very beginning of her career, she has been greatly involved in ensemble activity. As a sought-after continuo player and soloist, she has performed in numerous renowned ensembles, including La Cetra Barockorchester, the Venice Baroque Orchestra, the Bruckner Orchester Linz, Il Concerto Viennese, the Bach Consort Wien, and Concerto Stella Matutina.. She was a prizewinner at several international organ competitions, including the Paul Hofhaimer Competition Innsbruck, the Organ Competition in Herford, Germany, and the Georg Muffat Competition in Schlägl, Austria.
Johann Jacob Froberger (1616-1667) jest jednym z najwybitniejszych kompozytorów muzyki na instrumenty klawiszowe przed Bachem. Wiele podróżował, kształcił się m.in. u Frescobaldiego w Rzymie. Na płycie spotkamy nie tylko utwory Frobergera. To także podróż po muzyce tych, którzy ukształtowali zarówno fakturę muzyki klawiszowej, jak i styl Frobergera. Uczta klawiszowa z utworami m.in. Gabrieliego, Weckmanna, Couperina, Rossiego, Frescobaldiego i - oczywiście - Frobergera. Partity, toccaty, capriccia, ricercary i różne tańce wykonywane na klawesynie (CD 1) i organach (CD 2). I co należy dobitnie podkreślić - wykonywane na instrumentach historycznych z XVII wieku, a nie na kopiach, co zostało skrupulatnie opisane w książeczce dołączonej do płyty. To dostarcza płycie dodatkowych, wyjątkowych zalet. A wykonawczyni Magdalena Hasibeder konsekwentnie wykorzystała te sprzyjające okoliczności. Znakomity repertuar, historyczne instrumenty, precyzja i intuicja wykonawcza tworzą znakomitą całość. Dla znawców i miłośników barokowej muzyki klawiszowej to prawdziwa rozkosz. Koniecznie!
Alina Mądry - Audio Video 07-2016
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