Wydawnictwo: Raumklang
Nr katalogowy: RK 3201
Nośnik: 1 CD
Data wydania: luty 2014
EAN: 4018767032017
Nr katalogowy: RK 3201
Nośnik: 1 CD
Data wydania: luty 2014
EAN: 4018767032017
Josquin Desprez: Se Congie Prens
Raumklang - RK 3201
Kompozytor
Josquin Desprez (1450-1521)
Josquin Desprez (1450-1521)
Wykonawcy
Ensemble Musica Nova / Lucien Kandel
Ensemble Musica Nova / Lucien Kandel
Nagrody i rekomendacje
Utwory na płycie:
Se Congie Prens- Adie mezamours
- Cueur Langoreux
- Vous ne laurez pas
- Faulte dargent
- Canzon sopra faltd'argen
- Douleur me bat
- Petite Camusette
- Petite Canusette a 6
- Tribulacio et angustia
- Nymphes des Bois
- Nesse pas vng grand deplaisir
- Si vous navez
- Parfons regretz
- Plus ne regres
- Plusieurs regretz
- Plaine de deuil
- Incesament livre
- Plus mille regres
- Baisez moi
- Et non siachant
- Pour souhaitter
- Adieu mes amours
- Allegez moy
- Je me complains
- Nimphes nappes
- O mors inevitabilis
- Recercar terzo
- Musae Jovis
Under the direction of Lucien Kandel, Ensemble Musica Nova from Lyon has dedicated itself for a number of years already to the rediscovery of early music, from the earliest polyphonic settings up to works of the Baroque.
The ensemble’s new CD Se congie prens contains secular chansons by Josquin Desprez about the grief and sorrow of love, as well as a lamentation on the painful loss of the great master Ockeghem. The music comes from the sixteenth-century printed collection Le septiesme liure, contenant vingt & qvatre chansons a cincq et a six parties (“Seventh Book, containing twenty-four five- and six-part chansons”), which was published some twenty years after the composer’s death, and thus gives evidence of the dissemination of Josquin’s music throughout Europe.
The chapel of Beaune Monastery, with its wooden vault typical of Burgundy, provides for the extraordinary acoustics that make audible the filigree polyphonic structures of Josquin’s music.
The ensemble’s new CD Se congie prens contains secular chansons by Josquin Desprez about the grief and sorrow of love, as well as a lamentation on the painful loss of the great master Ockeghem. The music comes from the sixteenth-century printed collection Le septiesme liure, contenant vingt & qvatre chansons a cincq et a six parties (“Seventh Book, containing twenty-four five- and six-part chansons”), which was published some twenty years after the composer’s death, and thus gives evidence of the dissemination of Josquin’s music throughout Europe.
The chapel of Beaune Monastery, with its wooden vault typical of Burgundy, provides for the extraordinary acoustics that make audible the filigree polyphonic structures of Josquin’s music.
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