Utwory na płycie:

• A Night on the Bare Mountain (piano version)
• Memories of Childhood - No. 1, Nanny and I
• Memories of Childhood - No. 2, First Punishment
• Ein Kinderscherz
• La Caprisieuse on a theme of Count L Heyden
• Meditation (Album Leaf)
• Une Larme (A Tear)
• The Seamstress
• In the Village
• Pictures at an Exhibition - Promenade I
• Pictures at an Exhibition - I. Gnomus
• Pictures at an Exhibition - Promenade II
• Pictures at an Exhibition - II. Il vecchio castello
• Pictures at an Exhibition - Promenade III
• Pictures at an Exhibition - III. Tuileries (Dispute d'enfants après jeux)
• Pictures at an Exhibition - IV. Bydło
• Pictures at an Exhibition - Promenade IV
• Pictures at an Exhibition - V. Ballet of Unhatched Chicks in Their Shells
• Pictures at an Exhibition - VI. Samuel Goldenberg and Schmuÿle
• Pictures at an Exhibition - Promenade V
• Pictures at an Exhibition - VII. Limoges, le marché (La grande nouvelle)
• Pictures at an Exhibition - VIIIa. Catacombæ (Sepulcrum romanum)
• Pictures at an Exhibition - VIIIb. Con mortuis in lingua mortua
• Pictures at an Exhibition - IX. The Hut on Fowl's Legs (Baba-Yagá)
• Pictures at an Exhibition - X. The Great Gate of Kiev

St. John’s Night on Bald Mountain, “A Night on the Bare Mountain” (arr. for piano)
Memories of Childhood:
No. 1 Nurse and I
No. 2 First Punishment - Nurse Shuts me in a Dark Room
Children’s Games - No. 1 Corners, Scherzo
La Capricieuse
Meditation (Album Leaf) ‘Razdumye’
Une Larme (A Tear)
Shveya (The Seamstress)
In the Village

Pictures at an Exhibition

Evgeny Samoyloff writes: “Mussorgsky’s From Memories of Childhood cycle was never completed by the composer; in fact, he wrote only the first two pieces: ‘The Nurse and I’ and ‘The First Punishment’. An earlier cycle-to-be, entitled Children’s Games and featuring ‘Corners’ as its opening piece, was similarly never completed. I have taken the liberty of selecting what I believe to be the best of Mussorgsky’s miniature pieces – those that appear most complete – and of joining them to the primary cycle of Childhood Memories. I was guided by the music’s imagery and by its ‘childhood’ essence (as if seen through the eyes of a child), and I have endeavored to compile the set following the principles of contrast and artistic integrity, as well as those of tonal and architectural balance. This is how this cycle of eight pieces came into being, and I hope that it has a right to exist and to achieve widespread appeal.”