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Nasze kategorie wyszukiwania
Epoka muzyczna: renesans, barok
Obszar (język): włoski, niemiecki
Instrumenty: wiolonczela, lira korbowa
Rodzaj: suita
Epoka muzyczna: renesans, barok
Obszar (język): włoski, niemiecki
Instrumenty: wiolonczela, lira korbowa
Rodzaj: suita
Bach / Ferrabosco / Gabrieli: sCORDAtura
Quartz - QTZ 2100
Kompozytor
Johann Sebastian Bach (1685-1750)
Alfonso Younger Ferrabosco (1575-1628)
Giovanni Gabrieli (ok.1555-1612)
Johann Sebastian Bach (1685-1750)
Alfonso Younger Ferrabosco (1575-1628)
Giovanni Gabrieli (ok.1555-1612)
Wykonawcy
Fernando Marín, viella, lira da gamba, baroque cello
Fernando Marín, viella, lira da gamba, baroque cello
anon.:
Mente pura
Bach, J S:
Cello Suite No. 5 in C minor, BWV1011
Ferrabosco, A I:
Lesson for lyra-viol Nos 8, 9, 17, 19
Firenze, L:
Ballata Sento d'Amor
Gabrielli:
Ricercar No. 6 in G
Ricercar No. 7 in D minor
Mente pura
Bach, J S:
Cello Suite No. 5 in C minor, BWV1011
Ferrabosco, A I:
Lesson for lyra-viol Nos 8, 9, 17, 19
Firenze, L:
Ballata Sento d'Amor
Gabrielli:
Ricercar No. 6 in G
Ricercar No. 7 in D minor
sCORDAtura is an Italian concept that implies the tuning of strings in different combinations through which the instrument receives a special sound, rich in colours and resonant in certain tones. CORDA derives from a Latin term and means “string”. The viola da gambist and cellist Fernando Marín has specialised in bowed instruments of the Renaissance and Baroque periods.
His authenticity in creating the music even extends to using gut strings: on the baroque cello we see the use of the intestines of lamb and ram cleaned, twisted, dried and twisted by hand.
His authenticity in creating the music even extends to using gut strings: on the baroque cello we see the use of the intestines of lamb and ram cleaned, twisted, dried and twisted by hand.