Utwory na płycie:

• To the Fire
• Après moi, le déluge, For Solo Cello and SATB Choir a cappella (2006) - I.
• Après moi, le déluge, For Solo Cello and SATB Choir a cappella (2006) - II.
• Après moi, le déluge, For Solo Cello and SATB Choir a cappella (2006) - III.
• Après moi, le déluge, For Solo Cello and SATB Choir a cappella (2006) - IV.
• Everybody Knows, For Three Solo Voices and Cello (arr. 2016)
• Missa in Fines Orbis Terrae, For Choir and Organ (2017) - I. Kyrie
• Missa in Fines Orbis Terrae, For Choir and Organ (2017) - II. Sanctus & Benedictus
• Missa in Fines Orbis Terrae, For Choir and Organ (2017) - III. Agnus Dei
• One to One to One, For Three Female Voices, Three Cellos and Three Basses (2016) - I.
• One to One to One, For Three Female Voices, Three Cellos and Three Basses (2016) - II.
• One to One to One, For Three Female Voices, Three Cellos and Three Basses (2016) - III.
• One to One to One, For Three Female Voices, Three Cellos and Three Basses (2016) - IV.
• One to One to One, For Three Female Voices, Three Cellos and Three Basses (2016) - V.
• One to One to One, For Three Female Voices, Three Cellos and Three Basses (2016) - VI.
• Who by Fire, For Three Female Voices and Cello (arr. 2016)

To the Fire
Apres moi, le deluge
Everybody Knows (Leonard Cohen, arr. Luna Pearl Woolf)
Missa in Fines Orbis Terrae
One to One to One
Who by Fire (Leonard Cohen, arr. Luna Pearl Woolf)

VOCAL WORKS WITH A PROFOUND HUMANITY

From a deeply stirring Mass to hauntingly re-imagined Leonard Cohen masterpieces, LUNA PEARL WOOLF: Fire and Flood encompasses 25 years of vocal works by composer Luna Pearl Woolf, as performed by the Choir of Trinity Wall Street, cellist Matt Haimovitz, and more, conducted by Julian Wachner. In her penetrating album notes, New York Times contributing writer Corinna Da Fonseca-Wollheim comments, “Luna Pearl Woolf trains a zoom lens on the collective experience, sometimes plunging us right into the midst of destruction and anarchy only to pull back, in one swoop, to a clear-eyed plane of compassion.” These arresting works include her frequently-performed cello-choir concerto, Apres moi, le deluge, which emerges from the tragic aftermath of Hurricane Katrina; and the dramatic, low-voiced To the Fire, with its prophetic, Old Testament text. In One to One to One, “three female singers reflect and refract the male gaze in an uproar of vocal virtuosity” (Da Fonseca-Wollheim); while Missa in Fines Orbis Terrae journeys to the ends of the earth in search of revelation, mercy, peace. Finally, two inventive arrangements for three voices and cello create a kaleidoscopic expansion of colors and timbres in Cohen’s ironic Everybody Knows and foreboding Who By Fire. Noted among a new generation of politically conscious and artistically progressive composers, Woolf has been heard widely across North America and in Europe. Her music is praised by The New York Times for its “psychological nuances and emotional depth.”

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This album was recorded September 5 and 6, 2018 at LeFrak Concert Hall, Aaron Copland School of Music, Queen’s College, City University of New York, Flushing, NY and September 7, 2018 at St. Paul's Chapel of Trinity Church Wall Street, New York City, NY.