Wydawnictwo: Pentatone
Seria: Oxingale Series
Nr katalogowy: PTC 5186736
Nośnik: 1 SACD
Data wydania: czerwiec 2018
EAN: 827949073663
Seria: Oxingale Series
Nr katalogowy: PTC 5186736
Nośnik: 1 SACD
Data wydania: czerwiec 2018
EAN: 827949073663
Nasze kategorie wyszukiwania
Epoka muzyczna: barok, współczesna, 20 wiek do 1960
Obszar (język): niemiecki, Jewish, rumuński
Instrumenty: fortepian, wiolonczela
Rodzaj: preludia, wariacje
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: barok, współczesna, 20 wiek do 1960
Obszar (język): niemiecki, Jewish, rumuński
Instrumenty: fortepian, wiolonczela
Rodzaj: preludia, wariacje
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Kernis / Bach / Enescu: Daydreams
Pentatone - PTC 5186736
Kompozytor
Jay Kernis
Johann Sebastian Bach (1685-1750)
George Enescu (1881-1955)
Samuel A. Ward, Eugene Bozza, Frédéric Chopin, John Luther Adams
Jay Kernis
Johann Sebastian Bach (1685-1750)
George Enescu (1881-1955)
Samuel A. Ward, Eugene Bozza, Frédéric Chopin, John Luther Adams
Wykonawcy
Jeffrey Kahane, piano
Matt Haimovitz, cello
Andrea Lam, piano
Anne-Marie McDermott, piano
Jessica Sindell, flute
Caroline Goulding, violin
David Fung, piano
Yevgeny Sudbin, piano
Vicky Chow, piano
Doug Perkins, percussion
Jeffrey Kahane, piano
Matt Haimovitz, cello
Andrea Lam, piano
Anne-Marie McDermott, piano
Jessica Sindell, flute
Caroline Goulding, violin
David Fung, piano
Yevgeny Sudbin, piano
Vicky Chow, piano
Doug Perkins, percussion
Utwory na płycie:
- America the Beautiful
- FIRST CLUB DATE - I. Prelude to a Pizz. (or, Overture to a French Pizz.)
- FIRST CLUB DATE - II. Puppy Love
- FIRST CLUB DATE - III. Matt's Monkish Machinations
- FIRST CLUB DATE - IV. Elevating the (Jazz) Standard
- FIRST CLUB DATE - V. Jonah's Jive Jump
- Prelude from English Suite No. 2 in A minor, BWV 807
- Image for solo flute, Op. 38
- Impressions from Childhood, Op. 28 - Ménétrier (The Country Fiddler)
- Impressions from Childhood, Op. 28 - Vieux mendiant (The Old Beggar)
- Impressions from Childhood, Op. 28 - Ruisselet au fond du jardin (The Brook at the Bottom of the Garden)
- Impressions from Childhood, Op. 28 - L'Oiseau en cage et le coucou au mur (The Bird in the Cage and the Cuckoo on the Wall)
- Impressions from Childhood, Op. 28 - Chanson pour bercer (Lullaby)
- Impressions from Childhood, Op. 28 - Grillon (The Cricket)
- Impressions from Childhood, Op. 28 - Lune à travers les vitres (The Moon Shining through the Windows)
- Impressions from Childhood, Op. 28 - Vent dans la cheminée (Wind in the Chimney)
- Impressions from Childhood, Op. 28 - Tempête au dehors, dans la nuit (Storm Outside in the Night)
- Impressions from Childhood, Op. 28 - Lever de soleil (Sunrise)
- À la minute (Variations on the Minute Waltz)
- Red Arc / Blue Veil
Samuel A. Ward:
America the Beautiful (arr. Jeffrey Kahane)
Aaron Jay Kernis:
A Tippet Rise Commission
J.S. Bach:
7 Prelude from English Suite No. 2 in A minor, BWV 807
Eugene Bozza:
8 Image for solo flute, Op. 38
George Enescu:
Impressions from Childhood, Op. 28
Frédéric Chopin:
A la minute (Variations on the Minute Waltz) (arr. Yevgeny Sudbin)
John Luther Adams:
Red Arc/Blue Veil
America the Beautiful (arr. Jeffrey Kahane)
Aaron Jay Kernis:
A Tippet Rise Commission
J.S. Bach:
7 Prelude from English Suite No. 2 in A minor, BWV 807
Eugene Bozza:
8 Image for solo flute, Op. 38
George Enescu:
Impressions from Childhood, Op. 28
Frédéric Chopin:
A la minute (Variations on the Minute Waltz) (arr. Yevgeny Sudbin)
John Luther Adams:
Red Arc/Blue Veil
Tippet Rise OPUS 2017 is the second compilation album to emerge from the summer music season at Montana’s Tippet Rise Arts Center, which features performance spaces of acoustic perfection amidst a sculpture-laden terrain of awe-inspiring beauty, nestled against a backdrop of the Beartooth Mountains near Yellowstone National Park. From the PENTATONE Oxingale Series, Tippet Rise OPUS 2017 inhabits the sphere of Daydreams, a sculpture by Patrick Dougherty where natural saplings organically emerge out of an eroding schoolhouse.
In this whimsical, imaginary world, composers open a visionary portal to the past and future. In the jazz-infused FIRST CLUB DATE, a world premiere by Aaron Jay Kernis and a Tippet Rise commission, cellist Matt Haimovitz and pianist Andrea Lam illuminate the musical playground of a boy on the cusp of manhood. The new work is dedicated to Haimovitz and the composer’s cellist-son Jonah, with double-entendre movement titles like “Puppy Love” and “Matt’s Monkish Machinations.” Violinist Caroline Goulding and pianist David Fung embody the youthful spirit of George Enescu’s Impressions from Childhood, while a pastoral mood reigns in Eugene Bozza’s Image for solo flute, performed by Jessica Sindell. An epic expansiveness saturates Red Arc / Blue Veil by John Luther Adams, featuring electronics and a wide array of sounds from pianist Vicky Chow and percussionist Doug Perkins. Opening the album is Jeffrey Kahane’s hopeful America the Beautiful, performed on piano by the composer himself, while works by Chopin and Bach, performed by pianists Yevgeny Sudbin and Anne-Marie McDermott, anchor the program with their sheer beauty and virtuosity.
Tracks 1, 7–20 were recorded live between July 7 – September 16, 2017. Tracks 2–6 were recorded December 15 – 16, 2017.
In this whimsical, imaginary world, composers open a visionary portal to the past and future. In the jazz-infused FIRST CLUB DATE, a world premiere by Aaron Jay Kernis and a Tippet Rise commission, cellist Matt Haimovitz and pianist Andrea Lam illuminate the musical playground of a boy on the cusp of manhood. The new work is dedicated to Haimovitz and the composer’s cellist-son Jonah, with double-entendre movement titles like “Puppy Love” and “Matt’s Monkish Machinations.” Violinist Caroline Goulding and pianist David Fung embody the youthful spirit of George Enescu’s Impressions from Childhood, while a pastoral mood reigns in Eugene Bozza’s Image for solo flute, performed by Jessica Sindell. An epic expansiveness saturates Red Arc / Blue Veil by John Luther Adams, featuring electronics and a wide array of sounds from pianist Vicky Chow and percussionist Doug Perkins. Opening the album is Jeffrey Kahane’s hopeful America the Beautiful, performed on piano by the composer himself, while works by Chopin and Bach, performed by pianists Yevgeny Sudbin and Anne-Marie McDermott, anchor the program with their sheer beauty and virtuosity.
Tracks 1, 7–20 were recorded live between July 7 – September 16, 2017. Tracks 2–6 were recorded December 15 – 16, 2017.