Wydawnictwo: Passacaille
Nr katalogowy: PAS 984
Nośnik: 1 CD
Data wydania: maj 2012
EAN: 5425004849847
Nr katalogowy: PAS 984
Nośnik: 1 CD
Data wydania: maj 2012
EAN: 5425004849847
Bach: Italian Concenrt, French Suites I-III
Passacaille - PAS 984
Kompozytor
Johann Sebastian Bach (1685-1750)
Johann Sebastian Bach (1685-1750)
Wykonawcy
Lorenzo Ghielmi, harpsichord
Lorenzo Ghielmi, harpsichord
Nagrody i rekomendacje
Utwory na płycie:
1 Französische Suite Nr. 1 D-Moll Bwv 812 - 1. Allemande.mp3- 10 Französische Suite Nr. 2 C-Moll Bwv 813 - 5. Menuet 1 - Menuet 2.mp3
- 11 Französische Suite Nr. 2 C-Moll Bwv 813 - 6. Gigue.mp3
- 12 Französische Suite Nr. 3 B-Moll Bwv 814 - 1. Allemande.mp3
- 13 Französische Suite Nr. 3 B-Moll Bwv 814 - 2. Courante.mp3
- 14 Französische Suite Nr. 3 B-Moll Bwv 814 - 3. Sarabande.mp3
- 15 Französische Suite Nr. 3 B-Moll Bwv 814 - 4. Air.mp3
- 16 Französische Suite Nr. 3 B-Moll Bwv 814 - 5. Menuet 1 - Menuet 2.mp3
- 17 Französische Suite Nr. 3 B-Moll Bwv 814 - 6. Gigue.mp3
- 18 Italienisches Konzert F-Dur Bwv 971 (Aus Clavierübung Ii) - 1. Allegro.mp3
- 19 Italienisches Konzert F-Dur Bwv 971 (Aus Clavierübung Ii) - 2. Andante.mp3
- 2 Französische Suite Nr. 1 D-Moll Bwv 812 - 2. Courante.mp3
- 20 Italienisches Konzert F-Dur Bwv 971 (Aus Clavierübung Ii) - 3. Presto.mp3
- 21 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Aria.mp3
- 22 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 1_ Largo.mp3
- 22 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 1: Largo.mp3
- 23 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 2.mp3
- 24 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 3.mp3
- 25 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 4_ Allegro.mp3
- 25 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 4: Allegro.mp3
- 26 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 5_ Un poco allegro.mp3
- 26 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 5: Un poco allegro.mp3
- 27 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 6_ Andante.mp3
- 27 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 6: Andante.mp3
- 28 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 7_ Un poco allegro.mp3
- 28 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 7: Un poco allegro.mp3
- 29 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 8_ Allegro.mp3
- 29 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 8: Allegro.mp3
- 3 Französische Suite Nr. 1 D-Moll Bwv 812 - 3. Sarabande.mp3
- 30 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 9.mp3
- 31 Aria Variata Alla Maniera Italiana A-Moll Bwv 989 - Variation 10.mp3
- 4 Französische Suite Nr. 1 D-Moll Bwv 812 - 4. Menuet 1 - Menuet 2.mp3
- 5 Französische Suite Nr. 1 D-Moll Bwv 812 - 5. Gigue.mp3
- 6 Französische Suite Nr. 2 C-Moll Bwv 813 - 1. Allemande.mp3
- 7 Französische Suite Nr. 2 C-Moll Bwv 813 - 2. Courante.mp3
- 8 Französische Suite Nr. 2 C-Moll Bwv 813 - 3. Sarabande.mp3
- 9 Französische Suite Nr. 2 C-Moll Bwv 813 - 4. Air.mp3
Suite I in d minor BWV 812
Suite II in c minor BWV 813
Suite III in b minor BWV 814
Concerto nach Italienischem Gusto BWV 971
Aria variata alla maniera italiana BWV 989
Suite II in c minor BWV 813
Suite III in b minor BWV 814
Concerto nach Italienischem Gusto BWV 971
Aria variata alla maniera italiana BWV 989
Till recently Lorenzo Ghielmi has made solo recordings with Passacaille mainly as an organist. However, as a performer he is continuing the tradition of the 18th century where musicians were masters on all keyboard instruments that were then available. This new recording on Passacaille presents him as a harpsichord player and not with the least interesting part of the literature by Johann Sebastian Bach
The French Suites were composed in the years 1722-1725. Bach actually knew the music of François Couperin, Louis Marchand and Nicolas De Grigny but the true model should probably be sought among the many suites of the German masters admired by the young Bach: Johann Jakob Froberger, Dietrich Buxtehude and Georg Böhm.
The Italian Concerto was published in 1735 as a part of the Clavier-Übung. The title, which sounds like studies for the keyboard, is by no way referring to dry technical exercises! The Clavier-Übung are rather models of compositions for study and imitation. The didactic intention was directed more toward composition than performance. Confronting the two musical styles, French and Italian, in one recording, shows that the great Bach made a perfect synthesis of the best of both worlds in these masterpieces.
Two instruments were used for this recording: for the French Suites a harpsichord by Keith Hill inspired by an anonymous eighteenth century German harpsichord and for the pages reflecting the Italian influence, a harpsichord by Andrea Restelli inspired by the Christian Vater harpsichord held in the Nuremberg Museum.
The French Suites were composed in the years 1722-1725. Bach actually knew the music of François Couperin, Louis Marchand and Nicolas De Grigny but the true model should probably be sought among the many suites of the German masters admired by the young Bach: Johann Jakob Froberger, Dietrich Buxtehude and Georg Böhm.
The Italian Concerto was published in 1735 as a part of the Clavier-Übung. The title, which sounds like studies for the keyboard, is by no way referring to dry technical exercises! The Clavier-Übung are rather models of compositions for study and imitation. The didactic intention was directed more toward composition than performance. Confronting the two musical styles, French and Italian, in one recording, shows that the great Bach made a perfect synthesis of the best of both worlds in these masterpieces.
Two instruments were used for this recording: for the French Suites a harpsichord by Keith Hill inspired by an anonymous eighteenth century German harpsichord and for the pages reflecting the Italian influence, a harpsichord by Andrea Restelli inspired by the Christian Vater harpsichord held in the Nuremberg Museum.
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