Wydawnictwo: Onyx
Nr katalogowy: ONYX 4166
Nośnik: 1 CD
Data wydania: październik 2016
EAN: 880040416623
Nr katalogowy: ONYX 4166
Nośnik: 1 CD
Data wydania: październik 2016
EAN: 880040416623
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): niemiecki
Instrumenty:
Rodzaj: kwartet, pieśń
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): niemiecki
Instrumenty:
Rodzaj: kwartet, pieśń
Brahms / Schonberg: String Quartets
Onyx - ONYX 4166
Wykonawcy
Mojca Erdmann, soprano
Kuss Quartet
Mojca Erdmann, soprano
Kuss Quartet
Brahms:
String Quartet No.3 op67
Lieder ‘Wie Melodien zieht es mir op105/1
Sommerabend op85/1
Mondenschein op85/2
Schoenberg:
String Quartet No.2 op10
String Quartet No.3 op67
Lieder ‘Wie Melodien zieht es mir op105/1
Sommerabend op85/1
Mondenschein op85/2
Schoenberg:
String Quartet No.2 op10
The Kuss Quartet’s fourth ONYX album is a programme of Brahms and Schoenberg, and they are joined by the German soprano Mojca Erdmann in three Brahms Lieder, and the 2nd of Schoenberg’s four string quartets.
After composing his First Chamber Symphony op 9 in 1907, Schoenberg wrote ‘Now I have established my style I know now how I have to compose’ However his next work showed a great deviation in style, and tonality is tenuous is the extreme – Schoenberg bids tonality farewell in this extraordinary composition. Setting Stefan George’s poems ‘Litanei’ and ‘Entrücking’, the 2nd Quartet caused a scandal. At the first performance ‘all hell broke loose’ wrote the composer ‘Stop it! Stop it! We have had enough! shouted a well known critic. It was then that people forgot their drawing room manners. Part of the audience joined in the riot …not much of the music penetrated the noise’
Brahms’s intense concentrated musical thinking heavily influenced Schoenberg. Like the younger composer however, Brahms was very much ‘a natural continuer of properly understood good old tradition’ (Schoenberg’s words describing his own music) and his 3rd Quartet harks back to the classicism of Mozart, especially the ‘Hunt’ Quartet, also in B flat major
After composing his First Chamber Symphony op 9 in 1907, Schoenberg wrote ‘Now I have established my style I know now how I have to compose’ However his next work showed a great deviation in style, and tonality is tenuous is the extreme – Schoenberg bids tonality farewell in this extraordinary composition. Setting Stefan George’s poems ‘Litanei’ and ‘Entrücking’, the 2nd Quartet caused a scandal. At the first performance ‘all hell broke loose’ wrote the composer ‘Stop it! Stop it! We have had enough! shouted a well known critic. It was then that people forgot their drawing room manners. Part of the audience joined in the riot …not much of the music penetrated the noise’
Brahms’s intense concentrated musical thinking heavily influenced Schoenberg. Like the younger composer however, Brahms was very much ‘a natural continuer of properly understood good old tradition’ (Schoenberg’s words describing his own music) and his 3rd Quartet harks back to the classicism of Mozart, especially the ‘Hunt’ Quartet, also in B flat major