Gringolts, one of the most inspirational violinists around today, plays with panache and sensitivity, his partnership with pianist Peter Laul reaching heady heights in the slow movement of the second sonata, the most Janus-faced of all. These are among his most personal and unflamboyant chamber works, and benefit from the scrupulous musicianship that both players bring to them … they have an intimate rapport and innate feeling for the undemonstrative yet deeply emotional content of this glorious music, providing three of the most live-withable accounts of these masterpieces in recent recording history.